Tuesday, November 5

Tag: Vincent Higgins

Rough for Radio II – The Tung Auditorium
North West

Rough for Radio II – The Tung Auditorium

Rough for Radio II is a Beckett radio play written in French as Pochade radiophonique and first published in 1975. Beckett translated the work into English shortly before its BBC Radio 3 broadcast on his birthday (13th April 1976). Director Vincent Higgins, in collaboration with Simon Ruding (TIPP), recorded this version in-situ with inmates at HM Prison Liverpool. A man, Animator, makes small talk with his young female stenographer (Orla Charlton): is she ready to get to work, does she have the tools of her trade? The interchange is light and familiar. He then consults a character called Dick: is he on his toes? It is his job after all to ‘encourage’ the prisoner, Fox, to talk with the use of a bull’s pizzle. Beckett’s dialogue cleverly explores the idea that the prisoner is in fact...
C’est Moi Dans la Poubelle – Victoria Gallery and Museum, University of Liverpool
North West

C’est Moi Dans la Poubelle – Victoria Gallery and Museum, University of Liverpool

When Ezra Pound was released, after twelve years, from the mental hospital he'd been committed to, he returned to Italy and lapsed into a long silence of deep regret and shame. This was not a vow of silence, just a depressed wordlessness - he felt he'd ruined everything, not least his own Cantos ('a botch - stupidity and ignorance all through'). He went to see Beckett’s Fin de Partie (Endgame in Paris) in which two of the characters, Nagg and Nell, live in trash bins. Pound reportedly broke his by now habitual silence to say ‘C’est moi dans la poubelle’ (‘That’s me in the trash’.). Beckett subsequently went to visit him in Venice and this short film, written by James Lever and directed by Michael O’Neill (Armchair & Rocket), is their reimagining of that meeting based on Beckett’s ac...
All That Fall – Toxteth Reservoir
North West

All That Fall – Toxteth Reservoir

Beckett described this radio play, first broadcast on the BBC in 1957, as ‘a text written to come out of the dark’, and director Adrian Dunbar has certainly achieved that with his choice of location and the use of Schubert’s String Quartet No. 14 (D.810) to frame his re-imagining of a radio play whose dark-driven conclusion is hardly credible after the preceding slapstick and pantomime of the foley, with Michael Cummins’ technical direction in conjunction with Simon Roth’s sound design retaining Beckett’s orchestrated sound effects with cast (Orla Charlton, Anna Nygh, Vincent Higgins, Stanley Townsend, Frankie McCafferty) and musicians (Darragh Morgan (violin), Cora Venus Lunny (violin), Fiona Winning (viola), Tim Gill (cello)) positioned behind the audience. One of Beckett’s more acces...
Samuel Beckett in Confinement – University of Liverpool
North West

Samuel Beckett in Confinement – University of Liverpool

Beckett is a little bit like the proverbial buses: there’s never any when you’d just like one then suddenly they all come along at once. In the case of Beckett: Confined, a three day-festival of Samuel Beckett’s plays, associated musical performances, and lectures exploring the politics of closed space as a reading of our times, you couldn’t really want for much more. The programme – brought together by Unreal Cities in association with the University of Liverpool’s Institute of Irish Studies, The Keough-Naughton Institute for Irish Studies at the University of Notre Dame's Keough School of Global Affairs, and Culture Ireland–  presents an exciting blend of Beckett’s work, including multiple performances of some of his most rarely performed plays alongside a musical series, all pre...