Verity Wingate Archives - North West End UK

Tchaikovsky’s life had a habit of imitating his art. In the spring of 1877, while he was sketching an opera based on Pushkin’s verse novel Eugene Onegin – starting, so the story goes, with Tatyana’s letter scene – he received a passionate letter from a former student, Antonina Milyukova, declaring her love. Determined not to turn her away as coldly as Onegin does, he married her that summer. It was a disaster, and within weeks he had fled. The story itself is simple enough. Tatyana, a bookish country girl, falls for the aloof Onegin, friend of the poet Lensky, who is engaged to her sister Olga. She pours her heart out in a letter; he hands it back with a lecture. At her name-day party a bored Onegin flirts with Olga, Lensky challenges him to a duel, and Onegin kills his friend. Years la...

At a lengthy 3 and a half hours, performed in Italian with English subtitles, this was, to be honest, a somewhat daunting proposition. More used to one hour long bite-sized Fringe morsels, an opera definitely requires a long-distance mentality rather than a sprint approach. On reflection, Kirill Serebrenbbnikov’s take on Mozart’s comic opera, The Marriage of Figaro, would have been better as a half-marathon. The joy, humour and accessibility of the first act is worth five stars, but what follows is, frankly, incomprehensible, confused and humourless that seemingly almost forgets that there is an audience, drenching itself in opulence and superficial appearance to the point of self-destruction. The weirdly lavish mirrored art and the butchery of most of the cast in the second act is like...

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Back in the USSR: Opera North’s Eugene Onegin – Leeds Grand Theatre

The Marriage of Figaro – Festival Theatre