Monday, May 13

Tag: Usher Hall

Tannhäuser: Deutsche Oper Berlin – Usher Hall
Scotland

Tannhäuser: Deutsche Oper Berlin – Usher Hall

Sitting from 6 pm - 10 pm is a big ask for an audience. It’s an even bigger ask for an orchestra and singers. Below me, from my balcony, I could see a sea of white heads. I think it takes maturity to know this will be worth it. The majority down there are probably Munro climbers - folk who know it is worth the trek. Sitting through a Wagner opera (on stage or in concert) is a statement of love. Wagner is bold. He’s brassy. He’s massively dramatic - employing harps and I’m a bit of a lover of those things. I am a novice to Tannhäuser, and it did not disappoint. I was truly impressed with all the performers. Together, they comprised: chorus and orchestra of the Deutch Oper Berlin and musicians from the Royal Scottish National Orchestra. Sir Donald Runnicles conducted while Jeremy Bine...
National Youth Choir of Scotland – Usher Hall
Scotland

National Youth Choir of Scotland – Usher Hall

If you were lucky enough to get to the Usher Hall by 4pm on Sunday, you will have joined a lively run-down (and audience challenge) detailing how and why Scottish National Youth Choir is so exemplary. The choir caters for 0-25-years-old. It is truly outstanding thanks to the skill, playfulness and overall enthusiasm of Artistic Director and Conductor, Christopher Bell who formed the choir in 1996. In 2012, the National Youth Choir of Scotland (NYCoS) became the first youth company to win a Royal Philharmonic Society Music Award in the Ensemble category. Bell calls the company’s methods “stealth teaching” and the games-based learning is just up my street. Balls, hula hoops and old-fashioned clapping games get the rhythm and mood started and the children learn without knowing it. “...
Cecile McLorin Salvant – Usher Hall, Edinburgh
Scotland

Cecile McLorin Salvant – Usher Hall, Edinburgh

That was – Emotional! What a voice. The power and attack of Salvant’s vocal is what strikes you the most. Controlled and yet, something else, hard to explain, at first soaring, vast balloon-like and then at other times like a bird; small, fragile, vulnerable. Miami-born, Salvant at the age of 33 is right at the top of her game, full of the confidence that a library of prestigious awards and accolades brings, and jazz flair that has made her a sell-out draw around the world. Her current album Melusine draws on her Haitian and French heritage, and sung partly in French, whilst her previous highly acclaimed 2022 album Ghost Song features interpretations of tracks by Kate Bush and Sting. In a recent interview with The List, she promised that this concert would be, ‘crazy and spont...
Edinburgh International Festival Opening Concert: Buddha Passion – Usher Hall, Edinburgh
Scotland

Edinburgh International Festival Opening Concert: Buddha Passion – Usher Hall, Edinburgh

This was – A brilliant, joyful opening of the 2023 International Festival One of the most versatile musicians in the world, Academy-award winning (score to Crouching Tiger, Hidden Dragon), Tan Dun conducts the Royal Scottish National Orchestra and Edinburgh Festival Chorus in the Scottish premiere of his own extraordinary Buddha Passion (2018). And what an amazing and joyful spectacle this was, which had the massed ranks of junior and adult choristers laughing and clapping, clinking pebbles together, tinkling Chinese bells and singing alternatively between ancient Sanskrit and Chinese. And before them the spectacle of the National Orchestra in full flow. A very effective subtitling allowed the packed house to appreciate the piece fully. This is a treatise on the joy...
Scottish Opera: The Verdi Collection – Usher Hall, Edinburgh
Scotland

Scottish Opera: The Verdi Collection – Usher Hall, Edinburgh

Two 30ft tall gilded iconic Columns and Pilasters support the muscular un-curtained proscenium arch framing the gargantuan stage of the Usher Hall, internationally acclaimed music venue. It is angular, strong unfettered and on the tiered stage the orchestra of Scottish opera are arranged, and ready. The orchestra immediately launch into a frenzied overture, La Forza del destino, under the baton of Stuart Stratford, which puts a wide smile on the faces of the nearly full audience. Stuart then, rather breathlessly, addresses the packed audience and introduces a collection of some highlights from the middle years of Giuseppe Verdi, one of opera’s most beloved and recognisable figures. The format of the show is somewhat problematic, without a set, costume changes, lighting effects or pr...