With an international exploration of the health care system, What I’m Here For stops at Edinburgh’s Traverse Theatre as part…
There is something quietly exacting about a one person show. It is an island, really, a contained territory where there…
There are evenings where the relationship between performance and space becomes the story, and this is one of them. I’m…
The Protagonist stumbles through a haze of swirling fog and beseeches Mighty Kronos, the Lord of Time. Her vision is…
There is no question that The Light House, written and performed by Alys Williams and directed by Andrea Heaton, arrives…
George Bernard Shaw’s Saint Joan is reimagined by writer/director Stewart Laing in a risky new version influenced heavily by an…
In a continuation of this year’s Spring season of A Play, A Pie, And A Pint, The Swansong made its…
There is something slightly incongruous about seeing Meursault at the Traverse Theatre. The venue is best known for drama rather…
From the duo who brought us Dancing Shoes at this venue before Christmas (and The Scaff prior to that) comes…
Eurpides’ Greek tragedy, Medea, is revived once more by Kathy McKean, arguably bringing more life to the title role, putting…