There are pranks aplenty in the Edinburgh Rep Company’s production of Much Ado About Nothing – only some of which…
Jack Docherty has had a much longer, and varied, career than many may be aware of. Having started at the…
One of the predominant elements of John Le Carré’s novels concerning British Intelligence is bleakness. A mantle of washed-out grey…
With an international exploration of the health care system, What I’m Here For stops at Edinburgh’s Traverse Theatre as part…
There is something quietly exacting about a one person show. It is an island, really, a contained territory where there…
There are evenings where the relationship between performance and space becomes the story, and this is one of them. I’m…
After spending the Easter weekend revisiting this quirky TV show, I was ready to immerse myself in the musical adaptation…
The Protagonist stumbles through a haze of swirling fog and beseeches Mighty Kronos, the Lord of Time. Her vision is…
On its opening night at the Festival Theatre, The Constant Wife felt less like a revival and more like a…
There is no question that The Light House, written and performed by Alys Williams and directed by Andrea Heaton, arrives…