Tandem is a writing collective established and run by playwrights Jennifer Adam, Amy Hawes and Mhairi Quinn. This new writing…
Short but perfectly formed, Balisong occasionally comes perilously close to feeling like a public-information film about the dangers of knives. But perhaps…
Paul Ready is a familiar face to television audiences, notably as the wonderfully beleaguered Kevin in Motherland and the considerably more sinister…
There is a lovely irony running through The Singer. This is a show fascinated by the importance of finding the flow…
Imagine inviting the family round for your 80th birthday, pouring the drinks, cutting the cake and then announcing that you…
The cell door opens, and a terrified woman is bundled into a dingy, dimly lit basement. A uniformed police officer…
A few branches and linen-looking sheets, fresh air and husbandry, home produce and homemade felt. How simple! Here’s permaculture, with…
Tommy never appears, we don't see him alive, in flashback or even in a photograph. Yet by the end of…
Two larger-than-life women. One very small lift. Sparks are inevitably going to fly. Eva O’Connor’s For Dolores throws Réaltín, a…
There is something very frustrating about a play centred on a painter that never quite convinces you that its protagonist…