Martin O’Connor, that champion of youth theatre and new Scots writing, creates an absorbing, modern-day monologue as William Shakespeare’s mechanical,…
Contact is an hour-long exploration of unresolved pain, blame and a yearning for love amid the messy realities of today’s…
Whaur’s Yer Wullie Shakespeare Noo is a comedic reenactment debating not just the Scots Enlightenment in the mid-1700s, but also…
There are moments in The Void when I genuinely believe I have boarded the Nostromo, and for someone whose youthful infatuation with…
Tandem is a writing collective established and run by playwrights Jennifer Adam, Amy Hawes and Mhairi Quinn. This new writing…
Short but perfectly formed, Balisong occasionally comes perilously close to feeling like a public-information film about the dangers of knives. But perhaps…
Paul Ready is a familiar face to television audiences, notably as the wonderfully beleaguered Kevin in Motherland and the considerably more sinister…
There is a lovely irony running through The Singer. This is a show fascinated by the importance of finding the flow…
Imagine inviting the family round for your 80th birthday, pouring the drinks, cutting the cake and then announcing that you…
The cell door opens, and a terrified woman is bundled into a dingy, dimly lit basement. A uniformed police officer…