Tracy-Ann Oberman Archives - North West End UK

26Feb

By Adam WilliamsNo Comments

North West

The Merchant of Venice 1936 – The Lowry

The timing of this production could not be better, setting as it does one of Shakespeare’s most problematic plays amid the rise and fall of Oswald Mosley’s British Union of Fascists in mid-thirties England. With certain tech giants performing “Roman salutes” and the frightening rise of fascist political parties taking place across Europe, we seem to be returning to the dark days of the 1930s. This adaptation of Shakespeare’s play powerfully brings to life the vicious remorselessness of bigotry and how it can be fought and defeated. Projected onto the back wall were the sensationalist antisemitic headlines of the day, newsreel clips of fascist marches and Mosley’s call for “Britain First.” The frightening echoes of what is happening now were stark but the play also reminded us that th...

The Merchant of Venice 1936 – Leeds Playhouse

21Feb

By Paul ClarkeNo Comments

Yorkshire & Humber

The Merchant of Venice 1936 – Leeds Playhouse

There’s always a feeling of trepidation when creatives shift The Bard’s words into a more contemporary setting, but this production of an always controversial play completely resonates with the troubled times we live in This adaptation by former Eastender Tracy-Ann Oberman and director Brigid Larmour is set in 1936 around the Battle of Cable Street in London’s East End as working class Jews and their allies stood together to kick Oswald Mosley’s British Union of Fascists off their streets. Here the characters are on both sides of this bitter political battle. Sound familiar? Oberman is the first female Shylock becoming an East End money lender living off Cable Street who strikes a deal with Fascist noble Antonio, which has disastrous consequences for the single mum. This is a l...

The Merchant of Venice 1936 – Liverpool Playhouse

5Feb

By Hannah EsnoufNo Comments

North West

The Merchant of Venice 1936 – Liverpool Playhouse

The authenticity in this production is what struck me at rst, with the Jewish culture and language centre-stage for the preamble. And it didn’t matter that we may not understand what they were saying or doing, it was unapologetic. A sentiment carried through the whole production, which was a novel idea, as it gave the relic script a new tenacity and sense of place in the present which is far removed from when Shakespeare was writing. That authenticity is also what made me realise that this piece really was an example of how these celebrated plays can be relevant to today and still teach us something about the human condition. The cast, albeit small, was able to take on the responsibility of a much larger selection of characters. Their ability to multirole was not only impressive but ...

The Windsors Endgame – Prince of Wales Theatre

11Aug

By Lou SteggalsNo Comments

London

The Windsors Endgame – Prince of Wales Theatre

To try and summarise just how outlandish The Windsors is as a stage show, imagine if the writers of Spitting Image found a file labelled ‘Daily Mail Royal Fan-fic’ and gave it to the editors of Viz magazine, after getting them spectacularly drunk and sitting through a marathon of ‘Carry On’ movies. Based on the satirical Channel 4 show, by Bert Tyler-Moore and the late George Jeffrie, and featuring many of the show’s original cast, The Windsors imagines a world where the Queen, weary of public life after the death of her beloved Phillip, has abdicated in favour of the world’s longest-serving intern, Prince Charles. Charles - played by Harry Enfield with the perfect sense of tired pompousness that one would expect from someone waiting 70 years for a work promotion – promptly goes powe...