Monday, August 24

Tag: Tom Littler

Much Ado About Nothing – Thomas’s College
London

Much Ado About Nothing – Thomas’s College

Tom Littler’s staging of ‘Much Ado About Nothing’ is a true masterclass in how Shakespeare should be performed, adapted and directed: intelligent without becoming academic, emotionally rich without descending into sentimentality, and uproariously funny without ever compromising the text. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, alongside ‘Love’s Labour’s Lost’, it is an extraordinary theatrical achievement that is brilliant on every level. The production continues the stories of the same characters from ‘Love’s Labour’s Lost’, but six eventful years later. The original carefree summer of 1939 has been replaced by the summer of 1945, with the surviving men returning from war and the women revisiting the village i...
Love’s Labour’s Lost – Thomas’s College
London

Love’s Labour’s Lost – Thomas’s College

Tom Littler’s adaptation of ‘Love’s Labour’s Lost’ is an exceptional theatrical achievement: intelligent, technically accomplished and irresistibly entertaining. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, this glorious open-air production demonstrates precisely how Shakespeare can be made contemporary, immediate and entirely accessible without sacrificing the richness of the original text. The production is performed in repertory with ‘Much Ado About Nothing’, using the same company to connect the two comedies across six eventful years. Although the productions reward being seen together (this is highly recommended), they also stand independently. Having recently played within the grounds of Braboeuf Manor in G...
Suite in Three Keys – Orange Tree Theatre
London

Suite in Three Keys – Orange Tree Theatre

Comprised of the individual plays, A Song at Twilight, Shadows of the Evening, and Come into the Garden, Maud, the latter two offered as a double bill, this is a hefty theatrical event for both performer and audience. Directed by Tom Littler, the Orange Tree Theatre’s Artistic Director, this production makes thorough use of the theatre’s performance facilities, and even positions one of its actors in the bar during pre-show and interval to serenade audiences in dulcet Italian tones with songs of the plays’ era. Referred to in each script simply as “Felix, a waiter” this Mediterranean songbird, played with charming humility and buoyant grace by Steffan Rizzi, provides the melodic throughline linking each piece to the other. The set, designed by Louie Whitemore is also remarkably consiste...