To Kill a Mockingbird Archives

To Kill a Mockingbird – Liverpool Empire

13May

By Brian MaddenNo Comments

North West

To Kill a Mockingbird – Liverpool Empire

To Kill a Mockingbird at the Liverpool Empire is a powerful and emotionally charged production that proves Harper Lee’s story still has enormous relevance today. Aaron Sorkin’s adaptation brings a sharper, more contemporary edge to the novel, while Bartlett Sher’s direction balances moments of humour and warmth with the darker realities of racism, injustice and prejudice. The result is gripping theatre that feels both timeless and uncomfortably current. Set in 1930s Alabama, the story follows lawyer Atticus Finch as he defends Tom Robinson, a Black man falsely accused of assaulting a white woman. Told through the eyes of Scout, Jem and Dill, the production cleverly contrasts the innocence of childhood with the ugliness of the adult world around them. This adaptation also digs deeper int...

To Kill a Mockingbird – Birmingham Hippodrome

16Apr

By Peter KinnockNo Comments

West Midlands

To Kill a Mockingbird – Birmingham Hippodrome

Like all great classics, “To Kill a Mockingbird” has been filmed, staged, adapted into many other genres, yet at heart it remains a substantial component of the literary canon having made immeasurable contributions to understanding racial tension and segregation and gaining itself a Putlizer Prize in the process. Harper Lee penned the novel to reflect her childhood in 1930’s America when times were less enlightened and drew her inspiration from her neighbours and family around Monroeville, Alabama. Such was the momentous impact of the book, from being included on school reading to being banned from schools completely, it has woven itself into the cultural DNA of the US to earn its place as a true American classic and, almost, immobilised the author from ever writing another. Now sprinkl...

To Kill a Mockingbird – Sheffield Lyceum

28Jan

By Jo TillotsonNo Comments

Yorkshire & Humber

To Kill a Mockingbird – Sheffield Lyceum

A man of colour stands accused of a crime he did not commit, and yet he is judged more for the colour of his skin than his words of defence. His white lawyer is judged for representing him. His town is divided along racial lines, and between those who seek progress and those who want to preserve the old way of life. An all-too-common description of events we see in the news in 2026, yes. But also the plot of Harper Lee’s novel To Kill a Mockingbird, set in 1930s Alabama. An era defined by the struggle for progress, equality and freedom. A story that remains chillingly relevant today. This production of To Kill a Mockingbird, adapted by Aaron Sorkin and directed by Bartlett Sher, uses Sorkin’s extensive screenwriting experience from shows such as The West Wing and The Newsroom alon...

15Jan

By Paul WilcoxNo Comments

North West

To Kill a Mockingbird – The Lowry

If the rest of my theatrical year measures up to this stunning start, then I am in for a vintage 2026. My first outing is a superb stage rendering of Harper Lee’s 1960 novel To Kill a Mockingbird, currently midway through an extensive UK tour following its runaway success on the London stage earlier this decade. A distinctly diverse audience greeted the production at the cavernous Lyric Theatre in Salford for this packed press night. A mixture of ageing grey hairs (like myself), with distant memories of studying the book for O-level, mingled with excitable GCSE students who have encountered Scout, Atticus and Boo Radley much more recently. All were entranced by the stage adaptation of the novel which, whilst staying faithful to the spirit and morality of the original, managed to find 21...

To Kill a Mockingbird – Festival Theatre

23Oct

By Greg HolsteadNo Comments

Scotland

To Kill a Mockingbird – Festival Theatre

All rise. Atticus Finch is back in court, and on this particular evening in Edinburgh it isn’t Richard Coyle behind the spectacles but John J. O’Hagan, stepping up from first cover to take on one of American literature’s most beloved men of principle. He does so with quiet assurance. Harper Lee’s, To Kill a Mockingbird, reborn for the stage by Aaron Sorkin and directed by Bartlett Sher, has been touring the UK with glowing tributes. The Edinburgh stop at the Festival Theatre proves both admirable and exhausting, a beautifully acted, morally charged evening that never-the-less feels every minute of its bloated three-and-a-quarter-hour runtime. Sorkin’s adaptation has long been praised for shifting the novel’s moral centre from saintly nostalgia to uneasy realism. His Atticus isn’t carved...

19Sep

By Paul ClarkeNo Comments

Yorkshire & Humber

To Kill a Mockingbird – Leeds Playhouse

Generations of school children have read To Kill a Mockingbird’s tale of racial injustice in 1930s Alabama as past history, but watching citizens in today’s America being arrested without any due process means it has once again become a warning. With his background as the creator of the unashamedly liberal The West Wing, it was obvious Oscar winning writer Aaron Sorkin would bring something new to the theatrical version of Harper Lee’s classic novel. Lee tells the story of a small town lawyer Atticus Finch, who agrees to defend a black man Tom Robinson accused of raping a white woman, much to the disgust of many in the fictional segregated town of Maycomb. The story is told by Finch’s feisty daughter Scout looking back at events that changed her family’s lives forever, and ther...