Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Thursday, March 20

Tag: Ti Green

Nowhere – HOME Mcr
North West

Nowhere – HOME Mcr

Where do you go when the unbearable becomes persistent? This is just one of the initial questions asked by Khalid Abdalla in his profound and beautiful piece of theatre, Nowhere, currently playing at HOME, Manchester. It’s a question that, given the current situation in the Middle East, slaps you in the face and makes you pay attention to what is about to be said. What follows is a personal history of multi-generational activism; friendship, love and loss; personal and political protest; family legacy and our personal history. It is Abdalla’s own history that inspires this journey. The son and grandson of political prisoners, it is his involvement in the 2011 Egyptian Revolution and the subsequent counter-revolution that shapes his journey. It is the stories of his forefathers and of...
Night, Mother – Hampstead Theatre
London

Night, Mother – Hampstead Theatre

Marsha Normon’s 1983 Pulitzer-winning drama “‘night, Mother” returns to the Hampstead Theatre after its European premiere at the same venue in 1985. Directed by artistic director Roxana Silbert and designed by Ti Green, this two-hander explores the complicated relationship between a mother and a daughter in what would have otherwise been an ordinary, quiet evening in their isolated house in the rural American hinterlands. Touching upon the themes of suicide, mental health and isolation, the show unfolds as a series of conversations between the two characters about a disturbing decision that awaits them, and us in the audience, at the end of the night. With measured performances by Stockard Channing and Rebecca Night, it is a hauntingly gripping experience that seeks to remind us about the ...
Touching The Void – Bristol Old Vic at Home
REVIEWS

Touching The Void – Bristol Old Vic at Home

After a successful and critically acclaimed West End run, David Greig’s tense play based on Joe Simpson’s bestselling mountaineering memoir is brought to the live streaming platform by Bristol Old Vic. Touching The Void is a play about the human spirit and the need to survive under extreme and dangerous circumstances. The story is set in the perilous Peruvian Andes where climbers Joe (Josh Williams) and Simon (Angus Yellowlees) are facing the treacherous descent of the infamous Siula Grande Mountain. Greig’s lean and powerful script plays out like a nail biting thriller as we see both climbers struggle to survive not just the unforgiving weather conditions but the mountain itself. When one of the climbers slips during their descent, all bets are off as the real tension builds and ...