Monday, August 24

Tag: theSpace on the Mile

When We Were Young – theSpace on the Mile
Scotland

When We Were Young – theSpace on the Mile

Award-winning hit of last year’s Fringe, When We Were Young features at theSpace on the Mile for another year running.  Consisting of the first act of a two-act play, this show sees a group of young teenagers living in Govan in the 90s caught up in the young team culture.  The tone is set by group leader Mooney (played by Liam Lambie) now grown-up as he reflects on his troubled youth.  When We Were Young sends a powerful message of how systemic issues impact those living in under cared for areas – how easy it is to fall into gang violence and knife crime and how it affects the community. This is such a quintessentially Scottish show, with Lambie’s writing so accurately capturing the crude and blunt essence of the ‘neds’.  With sharp and quick-witted insults being...
Our Town Needs a Nandos – theSpace on the Mile
Scotland

Our Town Needs a Nandos – theSpace on the Mile

Up and coming Edinburgh-based theatre company Hot Mess Productions, brings their rendition of Samantha O’Rourke’s, Our Town Needs a Nandos to the Edinburgh Fringe. The play sees a group of young girls in high school work on creating a devised piece for their drama exam.  In a run-down town with not much to do, this is a coming-of-age story where friendships are tested, sexuality is explored, and the girls shared experience of sexual violence is at the forefront.  Each girl faces a sense of displacement, whether that be down to emigration, isolation, or repression. The cast of five work well together, clearly taking their strong bonds from the rehearsal room to the stage.  Each cast member is believable as an unruly teenager finding their feet in the world, hitting ...
Forget-Me-Nots – theSpace on The Mile
Scotland

Forget-Me-Nots – theSpace on The Mile

A couple finds themselves in some kind of liminal space with no memory of their life in the real world and no idea how to get back.  Even with no recollection of their history together, they still gravitate towards each other, falling in love all over again, frozen in time together. Produced by Raiser Theatre and written and performed by Isla Hall, Forget-Me-Nots is a portrait of connection - with no distinct plot and no end in sight, like the couple, we are frozen in one moment, watching as the relationship unfolds and develops.  At times the story felt a little cliché, although the dialogue and performance was believable.  The two actors worked well together, creating an authentic and sweet, if quite sappy, relationship.  Although Hall does refer to her partner...
Stick Together – theSpace on the Mile
Scotland

Stick Together – theSpace on the Mile

Showing in theSpace on the Mile at the Edinburgh Fringe, Stick Together is a grassroots musical written and co-directed by Gabby Blackie.  Set in Perthshire, we follow the journey of three field hockey players who have trapped themselves in the locker room.  The surrounding area is overrun with zombies and with no sign of ZPS (Zombie Protection Services) the girls are forced to stick it out until morning despite growing tensions amongst the group. As the musical unfolds, we discover that Zara (Gracie Spencer) is massively crushing on Hazel (Madeline Gilroy).  But with Zara’s hot-headed, defensive attitude - mostly directed towards new-girl Keelie (Kate Santos), Zara can’t help but push Hazel away in the process.  Spoiler, they do end up together after singing it ...
A Covert Affair – Venue 39 at theSpace on the Mile
Scotland

A Covert Affair – Venue 39 at theSpace on the Mile

A Covert Affair is brought to this year’s Edinburgh Fringe by Belvedere Productions.  This new play written by Alex Macfarlane and co-written by Charlie Turner explores a potentially romantic connection between two agents from opposing states. A Covert Affair is a flirty and fantastic and very well constructed play. Before hitting the Fringe, A Covert Affair had its first run at a scratch night where the play’s first scene was performed. Now at the Fringe, Belvedere Productions have pulled all the stops to deliver a professional quality play. Great attention was put into the set, sound and lighting. The room was packed to the max which was great to see however only from the front row and from certain spaces off the sides could the full effect of the stage be appreciated. Noneth...
Holly Street – theSpace on the Mile
Scotland

Holly Street – theSpace on the Mile

This is a play produced by Long Face Theatre Company and New Celts Productions, set in a meeting room where five writers brainstorm the 35th anniversary episode of Holly Street, a soap opera.  The writers plan, plot, squabble and tease until they inadvertently/magically slip into an alternate reality and in the process, they reveal to the audience who they really are behind their facades. So far, so interesting.  It’s the magical whiteboard, y’see – whatever’s written on it comes true and that gradually dawns on the writers, who manage to bravely and noisily unite to confront and overcome the zombie attack out with the performance space and reach the crescendo of the piece - returning to the ‘stage’ triumphant, much to the audience’s noisy appreciation. Yep, this is a v...
When We Were Young – theSpace on the Mile
Scotland

When We Were Young – theSpace on the Mile

When We Were Young performs for the first time at the Edinburgh Fringe this month, produced and written by Liam Lambie of Glasgow-based company, Geez a Break Productions. This play looks at the lives of one of Glasgow’s ‘Young Teams’ in the 90s—gangs made up of teenagers who grouped together based on the area they lived in. We explore the teenagers' relationships with each other, gang culture, their community, and the societal constraints they live under. The play begins in the future, with the young team’s leader, Mooney (played by Lambie), reflecting on his time as a teenager. We are then taken back in time to witness the fatal consequences that the young team brought into the characters' lives. Lambie’s writing is brilliant, with brazen and vulgar dialogue that encapsulates both ...
Frankenstein Afterglow – theSpace on the Mile
Scotland

Frankenstein Afterglow – theSpace on the Mile

Frankenstein: Afterglow is a neon-gothic mixture of poetry and puppetry set after Frankenstein and the Monster's final book confrontation in the Arctic. However, in this version neither died there, with the Monster instead subduing Frankenstein and bringing him back to his home in Switzerland. Set entirely within the room of Frankenstein's home in which the Monster keeps him imprisoned, the show is light on plot and strong on character, and its reverence for the book – bar a couple of twists on the material – may be an advantage for those who don't know the story well, or know and love it like a fan hearing a favourite song at a concert. Because of the subjective nature of these points, whether these two factors are criticisms or recommendations will therefore have to be left to the...
Bluffstone is Starvin’ – TheSpace on the Mile
Scotland

Bluffstone is Starvin’ – TheSpace on the Mile

With its large ensemble of eight performers, including three musicians, Bluffstone is Starvin’ is a compelling but imperfect tragedy set against the familiar backdrop of the Wild West. Each actor brings something unique to the table and every performance is distinct and effective. The standout for me was Zachary Hodges, who plays the unhinged bartender Jim (and who also doubles as an instrumentalist, and who composed the original music for the show). Hodges brings a wide-eyed, frenetic energy to the performance that makes the character instantly loveable and memorable. It would have been great to learn more about this character, but with five other characters demanding attention in this 60-minute play, not all of them can be equally fleshed out. Many of the performances do seem a li...
Devil’s Point – theSpace on the Mile
Scotland

Devil’s Point – theSpace on the Mile

In this folk horror play from Cutty Sark Theatre, Ailsa (Laura Milton) and Sean (Logan Rodgers) are a young couple on a hiking trip up the mountain known as Devil's Point. But all is not well in paradise. And the clear tension between them from events in the recent past isn't helped by the stories of the previous travellers to have climbed the Devil's Point, not to mention the voices heard there that whisper your name... Devil's Point is a highly effective horror story from Director Eve Miller and writer Laura Milton. Very atmospheric in its sound (the music is by Oliver Armstrong, and the sound & lighting design is by Mia Renaldi) and shadow puppetry, like many of the best horror plays, it knows that horror and comedy are not opposites but partners. Rodgers and Milton deliver w...