The Merry Wives of Windsor Archives

The Merry Wives of Windsor – Shakespeare’s Globe

10Jul

By Paul DownhamNo Comments

London

The Merry Wives of Windsor – Shakespeare’s Globe

Published in 1602 and traditionally believed to have been written at the specific request of Elizabeth I, The Merry Wives of Windsor is one of Shakespeare's less frequently produced and not so well-regarded plays. It's a great romp though, and the perfect choice for a summer evening at the iconic "Wooden O" on London's South Bank. Sir John Falstaff, the large, impoverished and corpulent knight from Shakespeare's Henry series, secretly propositions the wives of Ford and Page, with the intention of relieving them of their husbands' money. He sends both women identical letters hoping to woo them. The women discover that Falstaff is communicating with both of them and decide to lead him on, to mock and shame him and teach him a lesson. Through the meddling of the servant, Mistre...

The Merry Wives of Windsor – Shakespeare North Playhouse

If Shakespeare chose a modern company to perform his work then it would undoubtedly be The Pantaloons; I’m equally sure he would be thrilled with director Steve Purcell’s adaptation of a play that had The Pantaloons stamped all over it when it was first written. Roguish knight Falstaff (Alex Rivers) is down on his luck and reliant on the good will of the Host (William Ross-Fawcett) of his local tavern to keep him in good spirits of any kind! When he informs servants Nym (Jodie Micciche) and Pistol (Andrew Armfield) that he intends to seduce Mistress Ford (Micciche) and Mistress Page (Armfield) they refuse to deliver his letters, so he throws them out. When the letters eventually arrive via Mistress Quigley (Micciche) the two ladies laugh over their similarity and decide to get their rev...

The Merry Wives of Windsor – The Roman Theatre of St Albans

Approaching Shakespeare with much as much joy and as little reverence as the children’s book “When Pigasso met Mootisse” treats the artists whose work it adapts, this production is technically recognizable as one of the most often neglected of the great playwright’s works but is in many ways a chimera of Elizabethan bawd, modern sensibility, and eighties sound. Not only soundtracked by the hits of that decade, this script is also peppered with cultural references time-specific enough that its heightened accessibility is restricted almost exclusively to audiences Gen X and up. This is not entirely a bad thing. Even the least meddled with performing script of Shakespeare’s The Merry Wives of Windsor has both a humour and a logic inherent to it that demands an adult understanding of money ...