Monday, April 29

Tag: The Lowry

Maria – Unity Theatre
North West

Maria – Unity Theatre

Commissioned by Unity Theatre and Culture Liverpool as part of the Eurovision Cultural Festival 2023, and supported by The Lowry in Salford, Yurii Radionov and Shorena Shoniia’s world-premiere production of Ulas Samchuk’s 1934 novel, follows the life of a young woman through the history of Ukrainian upheaval from the 1861 emancipation of serfs in the Russian Empire under the Tsars through to Holodomor: the communist-regime’s induced mass starvation in Soviet Ukraine in the early 1930’s. As well as marking the 90th anniversary of this horrific and unimaginable event, it is a timely parallel to the events that continue in Ukraine following the attempted invasion by Russia in 2022, echoed by its performance from a cast of seven Ukrainian refugee actors currently living in the UK as a resu...
Unexpected Twist – The Lowry
North West

Unexpected Twist – The Lowry

Michael Rosen is a British children's author, poet, presenter, political columnist, broadcaster, and activist who has written 140 books. Rosen wrote ‘Unexpected Twist’ in 2018 which is the re-telling of the Charles Dickens classic ‘Oliver Twist’ - Michael Rosen has combined the two stories into one, with his modern story ‘Unexpected Twist’ and the 1838 Dickens classic that he states inspired it. The two stories allegedly twist together unexpectedly, set in modern-day, teenager Shona (Drew Hylton) lives with her single dad (Thomas Vernal) and relies on benefits to survive. They have been forced to move due to a familiar cycle of debt of her unemployed father following the death of her beloved mother - moving means yet another school to attend an all too cyclic event ...
Sucker Punch – The Lowry
North West

Sucker Punch – The Lowry

Set in London during the 1980s Sucker Punch follows the relationship of Leon and Troy, two young black men who have been caught breaking into a local boxing gym and are now paying penance to, gym owner, Charlie (Liam Smith) in exchange for him not involving the police in their misdemeanors. Why these two young men break into the gym in the first place was not clear, it does not matter. What does matter is that the middle-aged Charlie is white, racist, sexist and homophobic and these two young men are at his mercy. On entering the theatre it is 1981. Ska music plays. Charlie and protégé Tommy (John Rogers) are warming up and then training in the ring as the audience settle. Sandra Falase’s set very successfully creates the back street gym typified in the East End of London; the boxin...
Drive Your Plow Over the Bones of the Dead – The Lowry
North West

Drive Your Plow Over the Bones of the Dead – The Lowry

Based on a 2018 novel which won the author Olga Tokarczuk the Nobel Prize for Literature, 'Drive Your Plow Over the Bones of the Dead' certainly takes the award for the most intriguing title to arrive at The Lowry in 2023. When you add leading actress Kathryn Hunter to the mix, spearheading a Complicite production, then theatrical mouths start to water at the prospect of these quality ingredients being brought together. However, despite an astonishing central performance as well as inventive and arresting visuals, by the conclusion I was left slightly confused and personally slightly underwhelmed. The production takes its name from a line in William Blake poem 'Proverbs of Hell' and the 19th Century romantic poet is at the heart of this layered and dark story, combining ...
Waldo’s Circus of Magic & Terror – The Lowry
North West

Waldo’s Circus of Magic & Terror – The Lowry

Like many of the audience members filing slowly into The Lowry’s Quays Theatre, I had no idea what to expect from such an enigmatically titled show: Waldo’s Circus of Magic & Terror. However, taking my seat to face a dimly lit stage, complete with ostentatious ceilings, wooden “bleacher-style” seating, and a number of aerial equipment suspended in mid-air, I very quickly got the idea. However, what I was *not* expecting was the way in which this circus was brought to life. This production was presented by the Extraordinary Bodies theatre troupe, combining the extraordinary talents of deaf, disabled and diverse artists. Supported by the Arts Council England and The National Lottery, this company “creates powerful performances that celebrate our vast potential as humans, we explore a...
Mother Goose – The Lowry
North West

Mother Goose – The Lowry

Most people are introduced to the world of live theatre through the medium of pantomime, my own 1970's childhood is littered with memories of Anita Harris and Cilla Black slapping their thighs as Dandini, or John Inman in high camp mode as The Dame, household names at the time that are now consigned to occasional appearances on UK Gold. Maybe these somewhat confusing memories slightly put me off, as in the interests of full disclosure I should confess that despite spending large amounts of my time in the theatre, I don't really like pantomime! However, the opportunity to see Sir Ian McKellen live on stage is a chance any self respecting theatre buff is never going to turn down, so I duly took my seat in a packed Lyric Theatre, prepared for a couple of hours of indulgent, farcical nonse...
Mog the Forgetful Cat – The Lowry
North West

Mog the Forgetful Cat – The Lowry

Bother that cat!" Finally, after 50 years of delighting readers on the page, Mog leaps off onto the stage, in a show that feels like catnip to the soul and engaged my 4 year old and 1.5 year old throughout the entire thing. Some children's book adaptations have a tendency to be a little self-indulgent. To take themselves a little too seriously and to drag a bit too much for the young ones in the audience. Thankfully, The Wardrobe Ensemble adaptation of Mog doesn't fall under that curse and is a warm celebration of children's theatre, that stays true to the Mog we know and love, but with colourful chaos and a pacy plot. We start with the classic, Mog the Forgetful cat, where Mog foils a burglar (although if I'm being picky, she gets a lot of credit for simply miaowing at the window a...
Opera North: Ariadne auf Nexus – The Lowry
North West

Opera North: Ariadne auf Nexus – The Lowry

Strauss collides with Fellini in Opera North’s co-production with Gothenberg Opera, as director Rodula Gaitanou relocates the action from 18th Century Vienna to a 1950’s Italian film studio, where another collision takes place as an opera company’s heart-breaking tragedy meets the light musical comedy of a commedia dell’arte troupe, and as the two become merged into one, the result is an absolute delight in both sound and vision. Whilst the film shoot of Ariadne auf Naxos is performed in the original German, the Prologue has been translated from Hugo von Hofmannsthal’s original libretto by Christopher Cowell into a multilingual version that sees the opera Composer (Hanna Hipp) deal with the ensuing mayhem in English although reverting to German for personal reflection, whilst Prima Don...
<strong>Opera North: Orpheus – The Lowry</strong>
North West

Opera North: Orpheus – The Lowry

Opera North’s latest venture into Orpheus is a collaboration with Leeds-based South Asian Arts as their respective musical directors’ fuse Monteverdi’s operatic masterpiece, led by Laurence Cummings, with original compositions composed by Jasdeep Singh Degun reflecting the Indian classical tradition. Whilst the individual parts entertained and demonstrated some great musicianship and singing, it didn’t really add up to a satisfying whole which was often confusing on the eye and ear with its interrupted flow. Whilst billed as a reimagining, the story of Orpheus (Nicholas Watts) the musician trying to retrieve his dead wife, Eurydice (Ashnaa Sasikaran), from the underworld remains the same as does the devastating conclusion when he looks back too soon and loses her forever. The interpret...
<strong>Opera North: Orfeo ed Euridice – The Lowry</strong>
North West

Opera North: Orfeo ed Euridice – The Lowry

First recorded in April 2021 for BBC Radio 3 when Covid restrictions prevented live performance, Opera North present a concert performance of one of Gluck’s key works in his reinvention, in conjunction with librettist Calzabigi, of opera for his own time, as part of their wider celebration of the Orpheus myth which makes up their autumn season. Orfeo’s (Alice Coote) wife Euridice (Fflur Wynn) is dead, and a chorus of nymphs and shepherds mourn her. Orfeo is inconsolable but Amore (Daisy Brown) appears to tell him that Jupiter has taken pity on him and will grant him safe passage to the underworld where he can return Euridice to the land of the living. There is one condition however: he must not look at Euridice until they have reached the light of day. If he does, he will lose her agai...