The Lowry Archives - Page 3 of 14

23Apr

By Jan MellorNo Comments

North West

Boys from the Black Stuff – The Lowry

I was born in the 60’s, so remember clearly and with fondness, the series by the infamous Liverpudlian writer Alan Bleasdale – “The Boys from the Black Stuff”- the Black Stuff being the tar that a high number of men spent tarmacking the expanding roads of Britain in their days of employment. The first showing of the iconic programme was aired on BB2 – then a channel that had low ratings/viewers- on 10/10/82 but through its immediate popularity with viewers, moved to the main channel of the day – BBC1. The series depicted the stark reality of how working-class families were devastated by the lack of employment opportunities (more than 3 million people through this decade were unemployed – the highest figure for over 50 years) in this difficult decade. Alan Bleasdale told the story ...

Peter James: Picture You Dead – The Lowry

17Apr

By Kathryn GortonNo Comments

North West

Peter James: Picture You Dead – The Lowry

Opening night at the Lowry Theatre’s Lyric Theatre welcomed a full house and a palpable buzz of anticipation as the stage adaptation of Peter James’s Picture You Dead took to the stage. Known for his 20 gritty, pacey crime thrillers about Detective Superintendent Roy Grace and the spin off TV series Grace - James has built a devoted following through his Roy Grace novels, and this latest adaptation brought that dark, intriguing world vividly to life. I have been an avid James ‘ … Dead’ book reader for years and was excited to see it on the stage as I am not a lover of the TV series finding it flat and lack lustre. The plot is of a struggling couple (the Kiplings) buying a painting from a car boot which turns out to be a lost old master from the 18th century. ...

9Apr

By Angela KellyNo Comments

North West

Little Women – The Lowry

The novel 'Little Women' by Louisa May Alcott is still amongst one of the most popular novels today. Following the incredible success of the Greta Gerwig film in recent years, it’s safe to say that a stage version of Little Women would have a lot to live up to. Adapted by Anne-Marie Casey and directed by Loveday Ingram, taking on the March Sisters and their story was a brave undertaking. For those unfamiliar with the story, it centres around the March Sisters: Jo, Meg, Beth, and Amy and takes place around the civil war. It tells the tale of their life with their mother at the helm as they are together at home and how at some point they all realise that nothing ever stays the same. With Jo March as the central character, the story moves on to highlight her own challenges about bein...

9Apr

By Codie WrightNo Comments

North West

The Koala Who Could – The Lowry

"In a wonderful place, at the breaking of dawn, where the breezes were soft and the sunshine was warm, a place where the creatures ran wild and played free ... A Koala called Kevin clung to a tree." As a family, we are big fans of going to see our favourite bedtime books on stage (Mog the Forgetful Cat, We’re Going on a Bear Hunt, The Tiger who Came to Tea), and Rachel Bright & Jim Field write the most wonderful modern books with positive messages and catchy rhymes, so we knew we were in for a treat. Our story follows Kevin, the clingy Koala and “King of the staying-still-Kings!”, as he sits in the safety of his eucalyptus tree and watches his friends enjoy playing in the outback. Kevin is played flawlessly by Christopher Finn, who also takes on several other characters, includin...

Pride & Prejudice* (*sort of) – The Lowry

19Mar

By Scot CunninghamNo Comments

North West

Pride & Prejudice* (*sort of) – The Lowry

After its 2018 debut at The Tron, Glasgow, Pride & Prejudice* (*sort of) enjoyed a stint in the West End as well as a nationwide tour. With ballgown and boombox at the ready, this musical medley of classic meets comedy ventures out to entertain once more. This irreverent adaptation of the Austen novel is delivered by 5 actors soon to portray servants in a “proper” performance of it: think play-within-a-yet-to-start-play. They are tired of being the unsung heroes and so take on the leading roles in their own loud, rough and ready interpretation. Unwavering passion from an all-female troupe ensures that the utmost humour is squeezed out of every interaction, every song, every gesture. Emma Creaner delights as a pompously charismatic Charles Bingley, later slaying the audience as hi...

19Mar

By Max EdenNo Comments

North West

Handbagged – The Lowry

Moira Buffini’s Handbagged has been revived and brought back to the stage and is currently at The Lowry as part of its UK Tour. Directed by Alex Thorpe; this revival is as sharp, funny, and thought-provoking as ever. Exploring the imagined private conversations between Queen Elizabeth II and Margaret Thatcher, the play deftly balances political satire while exploring power, duty, and legacy from these two iconic women in UK’s history. The brilliance of Handbagged lies in its unique dual-casting, with two actors playing each of the leading figures at different points in their lives. Morag Cross delivers a commanding performance as the older Thatcher, bringing both steely determination and flashes of vulnerability to the role. Emma Ernest, as the younger Mags, captures the rising polit...

17Mar

By Adam WilliamsNo Comments

North West

The Flying Dutchman – The Lowry

I’m afraid this production of The Flying Dutchman, an opera about a man cursed to wander the oceans forever, was itself all-at-sea, lacking direction, and one feared, at times, would sink under the weight of its sadly misguided reimagined central conceit. It was kept afloat by the excellence of the cast, but the production itself did not seem to know where it was going because the basic idea behind it did not work. In their own words, they “have re-imagined The Flying Dutchman to take place on the ‘ship of state’: the Home Office. Daland is the ‘Home Secretary’ and the Dutchman and his crew become displaced people seeking refuge.” This analogy just did not work and whilst it was a noble effort to make The Dutchman a man seeking asylum it did not fit with the opera and became confusin...

17Mar

By Angela KellyNo Comments

North West

The Magic Flute – The Lowry

The Magic Flute is arguably an opera that welcomes many newcomers to the world of an opera performance for the first time. Directed by James Brining for Opera North, this particular opera is certainly aimed at all ages. With singing and spoken dialogue, plus screens at the side of the stage to follow the words, it is a reassuringly easy opera for all to follow. The Magic Flute is an opera with two acts and with music by Mozart. The story is essentially about Prince Tamino who is yearning to discover love. It relays his quest to do so and provides audience with a story centred in a world of make belief. Prince Tamino is given various trials to ensure he can gain the love of Princess Pamina. He is accompanied by Papagano, the bird man and the two completely opposite characters share ...

Birmingham Royal Ballet: Cinderella – The Lowry

7Mar

By Abigail PendleburyNo Comments

North West

Birmingham Royal Ballet: Cinderella – The Lowry

A Magical Evening of Dance and Storytelling. Birmingham Royal Ballet's production of Cinderella at The Lowry was a captivating and enchanting performance, blending classical ballet with stunning visuals, exquisite choreography, and a timeless tale. It was a tale of 3 acts that had the audience enraptured with its charm and elegance. Choreographed by the renowned David Bintley, this retelling of the classic fairy tale offered an imaginative and fresh take on the beloved story, while staying true to the traditional charm that has made Cinderella a favourite among ballet enthusiasts. The production was a visual masterpiece, with enchanting costumes designed by John Macfarlane, that added depth and fantasy to each character. From Cinderella’s tattered rags to her stunning ballgown, ev...

26Feb

By Adam WilliamsNo Comments

North West

The Merchant of Venice 1936 – The Lowry

The timing of this production could not be better, setting as it does one of Shakespeare’s most problematic plays amid the rise and fall of Oswald Mosley’s British Union of Fascists in mid-thirties England. With certain tech giants performing “Roman salutes” and the frightening rise of fascist political parties taking place across Europe, we seem to be returning to the dark days of the 1930s. This adaptation of Shakespeare’s play powerfully brings to life the vicious remorselessness of bigotry and how it can be fought and defeated. Projected onto the back wall were the sensationalist antisemitic headlines of the day, newsreel clips of fascist marches and Mosley’s call for “Britain First.” The frightening echoes of what is happening now were stark but the play also reminded us that th...