The Lowry Archives - North West End UK

Ockham’s Razor: Collaborator – The Lowry

6Feb

By Helen JonesNo Comments

North West

Ockham’s Razor: Collaborator – The Lowry

Ockham's Razor, one of the best creative circus companies in the UK, are back at the Lowry with their new show Collaborator and Co Artistic Directors Alex Harvey and Charlotte Mooney are performing once more. Over the last few years, they have taken on a more directorial role within the company but here they once more work together to create and perform a show which takes an autobiographical look at their lives together. Having met twenty-four years ago while training a Circomedia in Bristol, they fell in love but also realised that the vision for how they wanted to show their circus skills was shared by both of them. The company Ockham's Razor came from that shared vision. Twenty years later, older and with a ten-year-old daughter, this retrospective of their re...

4Feb

By Adam WilliamsNo Comments

North West

MÁM – The Lowry

According to the director and choreographer of this scintillating piece of art, Michael Keegan-Dolan, “A mám is a pass through the mountains. It’s a geographical structure that encourages people to go a certain way.” He goes on to say it can also mean an “obligation”, adding, “Sometimes as artists, you feel this obligation to do something, even if you can’t really say why.” This is an artistic endeavour of the highest quality. It is an imaginative combination of dance, theatre and music. Taking you on a journey through love, despair, longing, and joy. It is both intense and free, structured and loose, disparate and unifying. It starts with a devilish figure holding a concertina, facing a child. He takes off his mask, and the dancers start creating a beat, and the movement begins. ...

21Jan

By Lou SteggalsNo Comments

North West

Murder at Midnight – The Lowry

The latest outing from writer Torben Betts is a gleefully farcical affair that never once pretends to be believable. From the opening moments where the audience is faced with the aftermath of what is described by a policeman as murderous ‘carnage’, Murder at Midnight announces itself as broad and proudly and knowingly over-the-top. The decision for our theatregoers tonight is not whether any of what they witness makes sense but if they are willing to go along with the foolishness. If they do, there is a great deal of fun to be had. Resistance will result in the play’s relentless absurdity becoming quickly wearing. The vague plot centres around the home of Jonny Drinkwater, a local gangster, on New Year’s Eve, where a series of events will lead to a body count that rivals a Tara...

15Jan

By Paul WilcoxNo Comments

North West

To Kill a Mockingbird – The Lowry

If the rest of my theatrical year measures up to this stunning start, then I am in for a vintage 2026. My first outing is a superb stage rendering of Harper Lee’s 1960 novel To Kill a Mockingbird, currently midway through an extensive UK tour following its runaway success on the London stage earlier this decade. A distinctly diverse audience greeted the production at the cavernous Lyric Theatre in Salford for this packed press night. A mixture of ageing grey hairs (like myself), with distant memories of studying the book for O-level, mingled with excitable GCSE students who have encountered Scout, Atticus and Boo Radley much more recently. All were entranced by the stage adaptation of the novel which, whilst staying faithful to the spirit and morality of the original, managed to find 21...

Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry

12Dec

By Katie LeicesterNo Comments

North West

Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry

Unfortunate splashes back onto the stage with all the camp, chaos and deliciously wicked sparkle you could hope for. Directed by Robyn Grant and written by Grant and Daniel Foxx, this gloriously irreverent musical flips The Little Mermaid on its tail, giving Ursula the narrative power she has always deserved. In this fabulously filthy retelling, Ursula isn’t the villain but the victim, cast out from her home and from the arms of her one true love, King Triton, after a web of murderous lies twists the kingdom against her. Years later, she finds herself drawn back into Atlantica’s drama when the hopelessly horny and hilariously naïve Ariel decides she wants legs, not for adventure, but for access to the human men and their “genital anatomy.” The result is a riotous, queer, glitter-soaked ...

Matthew Bourne’s The Red Shoes – The Lowry

26Nov

By Abigail PendleburyNo Comments

North West

Matthew Bourne’s The Red Shoes – The Lowry

Matthew Bourne’s production of The Red shoes is a true masterclass in storytelling. Directed and choreographed by Bourne, it enchants audiences and speaks volumes without a single word being spoken. From the opening moment, the stage is charged with a dramatic intensity that pulls audiences in to a world of passion, ambition and a life in the 1940s. The staging is a work of art and a credit to designer Lez Brotherston, A single stage curtain on a proscenium arch creates the starting and ending backdrop to this story of a young dancer dreaming to make it, who’s passion for dancing becomes an obsession, torn between two men, her tragic fate was sealed the moment she put the red shoes on. It’s as if we are watching a ballet, but also a life imitation, and the revolving curtain is framing t...

14Nov

By Mark DavorenNo Comments

North West

La Bohème – The Lowry

Phyllida Lord’s classic production, designed by Anthony Ward, is one of the longest running at Opera North having been in their repertoire since 1993. James Hurley’s current revival is big on the comedy but sadly fails to hit the high notes that this staple of the operatic calendar deserves. With the action transposed to late 1950’s Paris, we meet four struggling bohemians living in a garret: a poet, Rodolfo (Anthony Ciaramitaro); a painter, Marcello (Yurly Yurchuk); a philosopher, Colline (Han Kim); and a musician, Schaunard (Seán Boylan), who arrives having had some good fortune and they agree to celebrate by dining at Café Momus. They are interrupted by their landlord, Benoît (Jeremy Peaker), but cleverly trick him into revealing he has been playing around which allows them to throw ...

22Oct

By Mark DavorenNo Comments

North West

Albert Herring – The Lowry

English National Opera’s first official foray North sees director and designer Antony McDonald delightfully serve up Britten’s 1947 witty comic opera Albert Herring exposing the whimsy and hypocrisy at the heart of post-war British society. Lady Billows (Emma Bell) and her committee’s – aide Florence Pike (Carolyn Dobbin), headteacher Miss Wordsworth (Aoife Miskelly), vicar, Mr Gedge (Eddie Woods), Mayor, Mr Upfold (Mark Le Brocq), and Superintendent Budd (Andri Björn Róbertsson) of the local constabulary – attempts to identify a May Queen for the village come unstuck as they realise all the local girls are lacking the necessary virtuosity. The only option is the shy and reserved Albert Herring (Caspar Singh) who works at his mother’s (Leah-Marian Jones) greengrocers, where he is regula...

19Oct

By Harry AltyNo Comments

North West

Black Power Desk – The Lowry

Set with the backdrop of the Black British civil rights movement in the 1970s, Urielle Klein-Mekongo’s original musical Black Power Desk shines a light on the underrepresented figurehead activists of the time. This heart-felt, humorous and powerful piece showcases that although times have moved on, the struggles of our cast of characters are just as relatable today. Mixing in real news reports from the time, the musical quickly creates an authentic representation of the mistreatment of the Black community during this era of British history. Our story centres around two sisters, Celia and Dina, who must navigate their place in a world that seems poised to tear them down, whilst also discover who they are after the passing of their mother. From the moment Rochelle Rose enters the stage as...

10Oct

By Paul ClarkeNo Comments

North West

Black Sabbath The Ballet – The Lowry

When you think about a rock band to soundtrack a ballet it's probable rock gods Black Sabbath wouldn’t be the first name that comes to mind. But when Birmingham Royal Ballet’s Director Carlos Acosta was looking for inspiration to commission locally based work, he was drawn to the doomy riffs created by four working class lads from the Black Country who basically invented Heavy Metal as a genre. Acsota clearly felt their huge riffs not only captured the long gone industrial might of Brum, where Sabbath members spent their teens, but also offered the dancers a broad palate to work with. Backed by the Birmingham Sinfonia this three-act show tries to encapsulate the band’s tempestuous five decade long career, and is a million miles away from the lighter music ballets are often performed ...