The Lowry Archives - North West End UK

21Jan

By Lou SteggalsNo Comments

North West

Murder at Midnight – The Lowry

The latest outing from writer Torben Betts is a gleefully farcical affair that never once pretends to be believable. From the opening moments where the audience is faced with the aftermath of what is described by a policeman as murderous ‘carnage’, Murder at Midnight announces itself as broad and proudly and knowingly over-the-top. The decision for our theatregoers tonight is not whether any of what they witness makes sense but if they are willing to go along with the foolishness. If they do, there is a great deal of fun to be had. Resistance will result in the play’s relentless absurdity becoming quickly wearing. The vague plot centres around the home of Jonny Drinkwater, a local gangster, on New Year’s Eve, where a series of events will lead to a body count that rivals a Tara...

15Jan

By Paul WilcoxNo Comments

North West

To Kill a Mockingbird – The Lowry

If the rest of my theatrical year measures up to this stunning start, then I am in for a vintage 2026. My first outing is a superb stage rendering of Harper Lee’s 1960 novel To Kill a Mockingbird, currently midway through an extensive UK tour following its runaway success on the London stage earlier this decade. A distinctly diverse audience greeted the production at the cavernous Lyric Theatre in Salford for this packed press night. A mixture of ageing grey hairs (like myself), with distant memories of studying the book for O-level, mingled with excitable GCSE students who have encountered Scout, Atticus and Boo Radley much more recently. All were entranced by the stage adaptation of the novel which, whilst staying faithful to the spirit and morality of the original, managed to find 21...

Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry

12Dec

By Katie LeicesterNo Comments

North West

Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry

Unfortunate splashes back onto the stage with all the camp, chaos and deliciously wicked sparkle you could hope for. Directed by Robyn Grant and written by Grant and Daniel Foxx, this gloriously irreverent musical flips The Little Mermaid on its tail, giving Ursula the narrative power she has always deserved. In this fabulously filthy retelling, Ursula isn’t the villain but the victim, cast out from her home and from the arms of her one true love, King Triton, after a web of murderous lies twists the kingdom against her. Years later, she finds herself drawn back into Atlantica’s drama when the hopelessly horny and hilariously naïve Ariel decides she wants legs, not for adventure, but for access to the human men and their “genital anatomy.” The result is a riotous, queer, glitter-soaked ...

Matthew Bourne’s The Red Shoes – The Lowry

26Nov

By Abigail PendleburyNo Comments

North West

Matthew Bourne’s The Red Shoes – The Lowry

Matthew Bourne’s production of The Red shoes is a true masterclass in storytelling. Directed and choreographed by Bourne, it enchants audiences and speaks volumes without a single word being spoken. From the opening moment, the stage is charged with a dramatic intensity that pulls audiences in to a world of passion, ambition and a life in the 1940s. The staging is a work of art and a credit to designer Lez Brotherston, A single stage curtain on a proscenium arch creates the starting and ending backdrop to this story of a young dancer dreaming to make it, who’s passion for dancing becomes an obsession, torn between two men, her tragic fate was sealed the moment she put the red shoes on. It’s as if we are watching a ballet, but also a life imitation, and the revolving curtain is framing t...

14Nov

By Mark DavorenNo Comments

North West

La Bohème – The Lowry

Phyllida Lord’s classic production, designed by Anthony Ward, is one of the longest running at Opera North having been in their repertoire since 1993. James Hurley’s current revival is big on the comedy but sadly fails to hit the high notes that this staple of the operatic calendar deserves. With the action transposed to late 1950’s Paris, we meet four struggling bohemians living in a garret: a poet, Rodolfo (Anthony Ciaramitaro); a painter, Marcello (Yurly Yurchuk); a philosopher, Colline (Han Kim); and a musician, Schaunard (Seán Boylan), who arrives having had some good fortune and they agree to celebrate by dining at Café Momus. They are interrupted by their landlord, Benoît (Jeremy Peaker), but cleverly trick him into revealing he has been playing around which allows them to throw ...

22Oct

By Mark DavorenNo Comments

North West

Albert Herring – The Lowry

English National Opera’s first official foray North sees director and designer Antony McDonald delightfully serve up Britten’s 1947 witty comic opera Albert Herring exposing the whimsy and hypocrisy at the heart of post-war British society. Lady Billows (Emma Bell) and her committee’s – aide Florence Pike (Carolyn Dobbin), headteacher Miss Wordsworth (Aoife Miskelly), vicar, Mr Gedge (Eddie Woods), Mayor, Mr Upfold (Mark Le Brocq), and Superintendent Budd (Andri Björn Róbertsson) of the local constabulary – attempts to identify a May Queen for the village come unstuck as they realise all the local girls are lacking the necessary virtuosity. The only option is the shy and reserved Albert Herring (Caspar Singh) who works at his mother’s (Leah-Marian Jones) greengrocers, where he is regula...

19Oct

By Harry AltyNo Comments

North West

Black Power Desk – The Lowry

Set with the backdrop of the Black British civil rights movement in the 1970s, Urielle Klein-Mekongo’s original musical Black Power Desk shines a light on the underrepresented figurehead activists of the time. This heart-felt, humorous and powerful piece showcases that although times have moved on, the struggles of our cast of characters are just as relatable today. Mixing in real news reports from the time, the musical quickly creates an authentic representation of the mistreatment of the Black community during this era of British history. Our story centres around two sisters, Celia and Dina, who must navigate their place in a world that seems poised to tear them down, whilst also discover who they are after the passing of their mother. From the moment Rochelle Rose enters the stage as...

10Oct

By Paul ClarkeNo Comments

North West

Black Sabbath The Ballet – The Lowry

When you think about a rock band to soundtrack a ballet it's probable rock gods Black Sabbath wouldn’t be the first name that comes to mind. But when Birmingham Royal Ballet’s Director Carlos Acosta was looking for inspiration to commission locally based work, he was drawn to the doomy riffs created by four working class lads from the Black Country who basically invented Heavy Metal as a genre. Acsota clearly felt their huge riffs not only captured the long gone industrial might of Brum, where Sabbath members spent their teens, but also offered the dancers a broad palate to work with. Backed by the Birmingham Sinfonia this three-act show tries to encapsulate the band’s tempestuous five decade long career, and is a million miles away from the lighter music ballets are often performed ...

Chisato Minamimura: Mark of a Woman – The Lowry

6Oct

By Helen JonesNo Comments

North West

Chisato Minamimura: Mark of a Woman – The Lowry

At the start of the performance Chisato Minamimura introduces herself as a deaf Japanese woman. She is also a beautiful contemporary dancer and mime artist. Using dance, mime and sign language (with a pre-recorded audio) she explores and celebrates the history of women and tattooing. The show also uses something called woojer straps, a vibrating belt designed to offer an additional sensory experience. While the reviewer did not partake, her companion did and has offered their thoughts. During the performance Minamimura looks at various historic and often personal accounts of female tattooing. Starting with the Japanese practice of hajichi, a hand tattooing done by the Ryukyuan women on Okinawa island. Initially done as a rite of passage into adu...

3Oct

By Max EdenNo Comments

North West

Death on the Nile – The Lowry

Ken Ludwig’s stage adaptation of Agatha Christie’s Death on the Nile, directed by Lucy Bailey at The Lowry, is a real masterclass in theatrical storytelling, full of intrigue and suspense. From the very first moment, the audience is swept into Christie’s world of glamour and danger, all delivered with precision delivery that makes this show a genuine five-star triumph! What strikes you immediately is just how slick and cinematic the staging feels. Mike Britton’s ingenious two-tier set design brilliantly evokes the cabins and decks of the Nile steamer, offering the audience both intimacy and grandeur in equal measure. It’s this clever simple staging that allows the story to unfold with a fast pace, while Oliver Fenwick’s atmospheric lighting and a subtle, evocative soundtrack add layers ...