Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Monday, March 31

Tag: Soraya Mafi

Stravinsky’s The Rake’s Progress –Liverpool Empire
North West

Stravinsky’s The Rake’s Progress –Liverpool Empire

The art historian in me jumped at the chance to see William Hogarth’s most-celebrated caricature brought to life in Stravinsky’s opera with a libretto by none other than celebrated poets WH Auden and Chester Kallman, and a classic cross-hatched set design from David Hockney providing a very fitting tribute to the original satire. Under the direction of John Cox, we open to our hero Tom Rakewell (Frederick Jones) with his very literal Anne Trulove (Soraya Mafi) in the garden of her father (Stephen Richardson). The devil makes work for idle hands and it’s the appearance of Nick Shadow (Sam Carl) who delivers a Faustian-like pact, but one very much of the devil’s making, that sees our rake’s progress well and truly begin as we move from the brothel education of Mother Goose (Fiona Kimm) to...
La Bohème Live at The Drive-In – ENO, East Car Park, Alexandra Palace
London

La Bohème Live at The Drive-In – ENO, East Car Park, Alexandra Palace

Monty Python used to say, and now for something completely different, and ne’er was a truer word said than with ENO director P.J. Harris’ contemporary English language adaptation of Puccini’s classic opera, and it is also transformed from its 19th C Parisian location to a modern-day encampment in a disused London car park, where we meet our four struggling hipsters: poet Rodolfo (David Butt Philip); painter Marcello (Roderick Williams); philosopher cum photographer Colline (William Thomas); and musician Schaunard (Benson Wilson), who arrives having had some good fortune. They are interrupted by Benoît (Trevor Eliot Bowes), a security guard, but cleverly trick him to avoid paying him his dues. Whilst the others leave, Rodolfo remains but is interrupted by a young lady needing a light for...