Thursday, February 19

Tag: Soho Theatre

London

Josh Sharp’s: Ta-Da – Soho Theatre

On a late evening at the Soho Theatre, I quite simply have no idea what to expect. I know this show includes 2000 slideshow pages and our comedian/magician is finally ready to come out. This simple and witty bio could not prepare me for such an incredibly moving, hilarious and slam-dunk performance that was received. Sharp must have a brain of a genius, well he does actually in learning he has a masters in Quantum Physics, he brings us back to the beginning of his life and his dreams of becoming a magician. Moving onto his pact with God and a promise to not practice ‘confirming’ his true sexuality and a deeply moving and beautiful time shared with his late mother who gently bullied him to finally come out. After its run on OffBroadway, London has been gifted the opportunity...
Saaniya Abbas: Hellarious – Soho Theatre
London

Saaniya Abbas: Hellarious – Soho Theatre

Watching Saaniya Abbas on stage is like listening to that one friend who has a funny take on just about everything. That’s how well she builds a rapport with the audience. And nothing is too sacred or out of bounds, from politics to religion to personal life. Abbas, we quickly learn, grew up in a conservative Muslim family in New Delhi and studied at a residential school run by Roman Catholic nuns. That in itself offers comedic gold – the restrictions of convention and religion turn into anecdotes of sharp wit. Having then moved to Dubai for work, she found standup comedy, porn, and a British husband, not necessarily in that order. She brings to stage her experiences from all these different aspects of her life as sharp social commentary hidden in a clever script. Take for instance h...
The Virgins – Soho Theatre
London

The Virgins – Soho Theatre

Oh my god, twist! And shout. Come on and work it on out. For these virgins, that’s pretty much the entire night’s agenda. Best friends Chloe (Anushka Chakravarti) and Jess (Ella Bruccoleri) are headed out for the night to “pull” for the very first time but find their plans needlessly complicated by the simple fact they have no idea what they actually want. Aided and abetted by the persistently peripheral Phoebe (Molly Hewitt-Richards), cool girl/experienced slut Anya (Zoë Armer), a bottle of Absolut vodka, and two liters of lemonade, they’re ready for anything, in theory. In practice, practice is about all they’re up for. Writer Miriam Battye’s playtext is clever and cringe in equal measure, and Jaz Woodcock-Stewart’s direction is funky and fresh, with particular flavour peppered...
Boxes – Soho Theatre
London

Boxes – Soho Theatre

The titular boxes of Shona Bukola Babayemi's one-woman play chart the character's life from child to adult, the boxes holding Christmas presents and keepsakes, reminders of a life past and present. Referenced only as "biological guardians", her parents may have initially tried to provide a secure, if poor, family setting but this all disintegrates as she moves from the UK to the US and back to the East End of London.  Relationships and friendships come and go; she finds herself homeless and sofa surfing and ends up living in a basic hostel and working a nightshift in a soul-less warehouse. Throughout her difficult life, she somehow stays positive, never giving up and occasionally finding fleeting friendship and help from strangers who show her kindness. All the while, the bits and pie...
Natalie Palamides: WEER – Soho Theatre
London

Natalie Palamides: WEER – Soho Theatre

Fresh from a run at New York’s Cherry Lane Theatre, Natalie Palamides’s one-woman romcom WEER, returns to London. Palamides plays both sides of the couple; her left side is Kristina, and her right side is Mark, and her hair, makeup, and multiple costumes are all split down the middle. Palamides’s performance is spectacular. By turning a different side of her body to the audience, and totally altering her voice and physicality, she switches back and forth seamlessly between the two characters at breakneck speed. She extremely skilfully and hilariously depicts arguments, physical struggles, and lovemaking between the two characters, and throughout the 85-minute show she mines this setup for all the comedic gold it contains to constantly deliver new, unexpected, hysterical gags. Palamides ...
Prashasti Singh: Divine Feminine – Soho Theatre
London

Prashasti Singh: Divine Feminine – Soho Theatre

Over the course of a very entertaining hour, Prashasti Singh reckons with her relationship to femininity and womanhood, while discussing childhood, dating, aging, and self-help podcasts. Although it may seem like Singh is rehashing topics that have been covered to death in stand-up comedy, she brings an individual and hilarious flair. The content of the show is largely cynical and pessimistic but is delivered in an energetic and playful manner. From the very beginning, Singh’s biting but good-humoured crowd work reassures the audience that they are in safe hands and primes them for the sardonic humour to come. The show’s cynicism is tempered by descriptions of Singh’s (attempted) self-reflection and self-improvement, which is the source of some of the funniest material. From Sing...
Revenge: After The Levoyah – Soho Theatre
London

Revenge: After The Levoyah – Soho Theatre

Following the death of their grandfather, in the midst of the 2019 allegations of antisemitism within the Labour Party, Jewish twins Lauren (Gemma Barnett) and Ben (Charlie Cassen) are recruited by Malcolm Spivak to “do something about it”. Malcolm’s plan is to kidnap Labour Party leader Jeremy Corbyn. Nick Cassenbaum’s hilarious script satirises the media’s frenzied attacks on Jeremy Corbyn in the lead up to the 2019 General Election. Although set in 2019, there are clear modern-day parallels; claims of antisemitism are frequently used to discount any criticism of the State of Israel and its actions in Gaza. As well as being a sharp satire, the play excels as a spoof of gangster, heist, and spy movies. The playful script, dynamic direction, and evocative sound and lighting design perfe...
Private View – Soho Theatre
London

Private View – Soho Theatre

Private View is the debut play by playwright Jess Edwards, a vulnerable portrayal of queer love that burns itself by moving too close to the flame, too soon. It is held together by sincere performances from Patricia Allison (Sex Education) and Stefanie Martini (The Gold), who draw you in from the tantalising portrait shots on the show poster to their believable portrayals. Directed by Annie Kershaw, Private View runs at Soho Theatre from 27th November – 20th December. https://sohotheatre.com/events/private-view/ Come for the sizzling chemistry of the hot flush queer romance; stay for the realities of staying in love—true to any relationship. The play captures the essence of the tenderness of attraction. It ruminates on how, in falling in love, we open ourselves to the spotlight, ...
Jurassic – Soho Theatre Upstairs
London

Jurassic – Soho Theatre Upstairs

Tim Foley’s short sixty-minute play is a satirical spin on the film franchise Jurassic Park. Boxed up and packaged in such way that the actors themselves physically and figuratively fight it out in true dinosaur style. Set within a financially stricken university the Dean calls in Jay an academic in palaeontologist to his office. Jay is faced with being laid off due to academic losses, poor performance, scandal and anything the Dean could put upon him. Examples of failings ‘losses’ Jay appeared on countdown and lost to a ‘little old lady’ his performance Dean explained brought the university into disrepute. Jay hangs out in the student bar and is too familiar with the female students, “you are bringing the university into disrepute” time after time. Unhappy with his fate Jay takes steps to...
Lorna Rose Treen: 24 Hour Diner People – Soho Theatre
London

Lorna Rose Treen: 24 Hour Diner People – Soho Theatre

Fresh from a run at Edinburgh Fringe at Pleasance, Lorna Rose Treen is an agile one-woman show, consistently humorous and wonderfully well-rounded. Belly laughs are a guarantee at this Diner! Opening with an original song, akin to a Studio Ghibli tune, Treen takes us on a masterclass in audience interaction, perfectly integrated within the show and the narrative. Even where playing with the audience was at its riskiest (with one audience member being asked to read lines for several scenes) Treen did not drop the ball once. The spirit of madness is infused into this show, from a poem underscored by ratatouille soundtrack, to the ridiculously long-limbed trucker, to the pre-show mock menu offering a taste of what’s to come. Each character inhabiting the diner is joined up to the ne...