Tuesday, April 23

Tag: Shakespeare’s Globe

As You Like It – Shakespeare’s Globe
London

As You Like It – Shakespeare’s Globe

Heading back to the Globe for what seems like the last summery evening of Shakespeare this year left me slightly underwhelmed and fidgety. As You Like It directed by Ellen Mcdougall runs with a gender fluid rendition, flouncy costumes filled with frill and colour with flicks of modern song. The classic has been done countless times in the past few years however maybe we have a hit a wall with what else can be done. The cast enter the stage with the unfortunate news that one cast member has fallen ill and an actor will be stepping in with script. I’m devastated to have not caught the name as this wonderful actor breathed a real freshness into the atmosphere that felt drier when they exited. The story itself is relatively easy to grasp as a couple are in love however Rosalind being ba...
Macbeth – Shakespeare’s Globe
London

Macbeth – Shakespeare’s Globe

The Shakespeare’s Globe hit the headlines recently, when a man in a full latex gimp suit and face mask rocked up to a performance of The Comedy of Errors. It prompted a few complaints, but Globe staff shrugged off the furore and were largely worried that the rubbery punter might overheat. He was stood in front of the stage at a matinee on a warm day. Fetish enthusiasts were less visible on the night we attended Macbeth at the Globe, but one of the venue’s strengths is to render the audience as almost another actor in the proceedings. The shape and design of the Globe means that in the summer months when it is light, the full range of humanity is on show, whether that’s in the cheap ticket pit or one of the galleries. At one point, Macbeth (Max Bennet) exited the stage through the au...
<strong>Henry V – Shakespeare’s Globe</strong>
London

Henry V – Shakespeare’s Globe

When Henry IV dies, his son takes over the crown. The new king has risen to power in fragile and uncertain times. He is provoked by an insult from the French Prince Louis. His brother and his uncle elicit him to prove himself. Henry V decides to invade France. Henry V has popularly been received as the celebration of an uncompromising nationhood and the eminence of imperial ambitions. But this production seems to offer several counter-narratives that exist within the story. Such as the story of Pistol, Bardolph, Nym and a young Boy, who are all caught up in the patriotic fervour and join Henry's army, hoping to enrich themselves in the chaos of invasion. Their narrative brings to light the indifference of the kings towards their infantry and the unfair imbalance of power structures tha...
King Lear – Shakespeare’s Globe
London

King Lear – Shakespeare’s Globe

An epic event overtakes The Shakespeare’s Globe this season in King Lear as the long-awaited return of director Helena Kaut-Howson, 25 years after debuting Kathryn Hunter in the role of King Lear the duo have reunited to place the production in the grandest of arenas. And even more of a treat is to spot Artistic Director, Michelle Terry as the Cordelia/ Lear’s Fool as she handles the text beautifully- we are watching a piece where masters of this craft manoeuvre us through a very complex tragedy with grace and fine tuning to each line spoken. It was a pleasure to see the excitement of the cast- the energy of the space was heightened by the meaning of placing this production back on a stage 25 years on. I wonder how the creatives tackled this piece differently, which parts hold different m...
Julius Caesar – Shakespeare’s Globe
London

Julius Caesar – Shakespeare’s Globe

On the 25th Anniversary of The Shakespeare’s Globe, this strong season shows an incredible round of talent taking us through Henry VIII, Much Ado about Nothing and Julius Caesar. Julius Caesar directed by Diane Page, highlights the passionate love between Brutus and Cassius played by Anna Crichlow and Charlotte Bate who start this journey to overthrow Caesar played by Dickon Tyrrell. Crichlow and Bate portrayed their relationship with such a vulnerability of sisterhood defeating and elevating Brutus to their true position on the pedestal. I thought Charlotte Bate playing Cassius was fantastic, the character was so entrancing with their ability to fall into Cassius’ beliefs and passions that with their inevitable end I was so moved and quite devastated by not seeing them again. Saying t...
The Merchant of Venice – Shakespeare’s Globe
London

The Merchant of Venice – Shakespeare’s Globe

The current rise of antisemitism around the world gives extra resonance and relevance to Shakespeare's 16th Century play on usury, religious conflict, revenge and the manipulation of justice. Abigail Graham's direction packs a serious punch, with a stellar cast who draw out every nuance of the text. The claustrophobic atmosphere of the Sam Wanamaker Playhouse is brilliantly heightened in this beautiful candlelit production set in the present day, but which could relate to any era. Young Bassanio is a spendthrift and hedonist, partying with his buddies and going through money as though there's no tomorrow.  Needing cash to pursue his wooing of the rich heiress, Portia, he turns to his friend, the merchant, Antonio, who has bailed him out previously. Antonio agrees and asks Shylock,...
Measure for Measure – Shakespeare’s Globe
London

Measure for Measure – Shakespeare’s Globe

Shakespeare's Globe opens its winter season with a lively production of the bard’s more intriguing plays, Measure for Measure. Referred to as one of Shakespeare’s ‘problem plays’ for its ambiguous tone, the play may easily be described as a farce, a comedy or even a drama. It touches upon a vast multitude of themes, from the role of government in controlling individual liberty to the damning negotiation between morality and societal status. Director Blance McIntyre seeks to bring out and contextualise these threads to modern society by setting the play in mid-1970s Britain, where the state finds itself (and its powers) increasingly at odds with what the citizens desire. With a tight-knit performance by the experienced ensemble, a cross-casting of different characters and an intimate envir...
Romeo & Juliet – Shakespeare’s Globe
London

Romeo & Juliet – Shakespeare’s Globe

Romeo & Juliet is a favourite for school examiners, and we see it re-appearing onto the curriculum at regular intervals.  The Globe have joined with Deutsche Bank, who for the last 10 years have funded online resources for their youth engagement programme, to enhance their ‘Playing Shakespeare with Deutsche Bank’ project.  Each year 20,000 free tickets are given to schools for shows that have been specially created for students to introduce and nurture a greater understanding of Shakespeare and the performance of his plays.  This exceedingly useful resource offers students a chance to come to the home of the Bard to experience the thrill of live performance.  This experience undoubtedly helps the words to leapfrog from the page into their young minds, to help to vi...
The Tempest – Shakespeare’s Globe
REVIEWS

The Tempest – Shakespeare’s Globe

Often played as tragedy with revenge at its heart, it is refreshing to see director Jeremy Herrin bring a fresh perspective embracing the spirit of the supernatural in this tale of forgiveness, generosity, and enlightenment set on a remote and mysterious desert island with this production from 2013. Twelve years earlier, Prospero (Roger Allam), formerly Duke of Milan, was usurped by Alonso, King of Naples (Peter Hamilton Dyer), Alonso’s brother, Sebastian (Will Mannering), and his own brother Antonio (Jason Baughan), and cast adrift with his three-year old daughter, Miranda (Jessie Buckley). Before they were put to sea Gonzalo (Pip Donaghy), his loyal counsellor, ensured he took his magic books, and now living on an island, he has used his magic art to reign over the native Caliban (Ja...
A Midsummer Night’s Dream – Shakespeare’s Globe Theatre
London

A Midsummer Night’s Dream – Shakespeare’s Globe Theatre

A Midsummer Night’s Dream is one of Shakespeare’s most popular comedies and is widely performed worldwide, with one of its many delights being the three interconnected stories within one overarching theme with the further added bonus of a fourth story if you count the hilarious rendition of Pyramus and Thisbe at the end. In a cleverly choreographed battle scene opening, we meet the Duke, Theseus (John Light), and his newly conquered betrothed, Hippolyta (Michelle Terry), whose animosity crackled across the stage. Egeus (Edward Peel) interrupts proceedings to complain about his daughter, Hermia (Olivia Ross), who loves Lysander (Luke Thompson) despite her father’s preferred match of Demetrius (Joshua Silver), who in turn is unwelcomingly pursued by Helena (Sarah MacRae). Hermia’s choice...