Scottish Ballet Archives - North West End UK

18Aug

By Jessie MartinNo Comments

Scotland

Mary, Queen of Scots – Festival Theatre

Scottish Ballet presented their contribution to the Edinburgh International Festival this year with the brooding portrayal of the historical Mary, Queen of Scots. Co-created by choreographer Sophie Laplane and director James Bonas, this is a bold show with outstanding production design and provocative content, contrasting a dark grungy tragedy with moments of ludicrous humour and cyber-punk neons. Bringing modernity to tradition, Scottish Ballet embraces evolution, focusing not only on choreographic motifs but also a heavy-handed stylism that focuses on the way in which the design and story are represented. With Soutra Gilmour’s set and costume design, this is a completely elevated ballet featuring moving walls, a clown dressed in bright lime, and a giant farthingdale-like c...

Scottish Ballet: The Crucible – Festival Theatre, Edinburgh

5May

By Greg HolsteadNo Comments

Scotland

Scottish Ballet: The Crucible – Festival Theatre, Edinburgh

Excelling in pretty much every aspect of theatrical performance, this revival of Scottish Ballet’s 2019 adaptation of Arthur Miller’s iconic play is a cast-iron cross-over hit full of exquisite movement, sublime sound, theatrical storytelling, ethereal lighting and brilliant set design, magical, darkly complex and supernaturally good. I say cross-over because this does not feel, or indeed sound like any ballet I have ever witnessed before. There is so much modern dance and passionate movement mixed in here with storytelling and set to a scintillating modern score by Peter Salem it feels like something completely new, different and exciting. The giant stage of The Festival Theatre can be daunting, some productions just get swallowed up here. But not this one. In Emma Kingsbury and Dav...

7Mar

By Klervi GavetNo Comments

London

Twice-Born – Sadler’s Wells

Twice-Born, the Scottish Ballet’s triple bill presentation at Sadler’s Wells, was an evening of fearless experimentation and captivating ensemble work. Opening the night was Dive, a short film by choreographer Sophie Laplane—a piece leaving much to the audience’s interpretation. Its abstract visuals and elusive logic prompted questions about the very nature of movement and ballet. While its meaning remained obscure, it set the tone for an evening that, like a study of modern art, shifted the focus from precise execution and adherence to tradition to an open-ended exploration of the viewer’s own role in the production. Next, Schachmatt (“Checkmate”) by Spanish choreographer Cayetano Soto brought a burst of fresh, playful energy to the stage. With a nod to Bob Fosse’s stylised approach...

11Jan

By Kathleen MansfieldNo Comments

Scotland

The Nutcracker – Festival Theatre

Familiarity, surprise and a sumptuously sparkling set from Lez Brotherston: that’s Scottish Ballet’s The Nutcracker. It's a wonderful escape on a sub-zero evening. The orchestra is superb and Daniel Parkinson’s musicians deliver Tchaikovsky’s score with aplomb and tenderness in turn. The corp de ballet and the principals effortlessly float and gracefully swirl as if the demanding choreography were simple. The layered, cosy set is like a warm hug. It draws you in and cradles you in its dreamworld. Within this cocoon, enjoy the antics of dizzy old Aunts, the swish of crinoline and the magic of Christmas presents, friends and family before transitioning to Clara’s dreamworld. Photo: Andy Ross Lighting by George Thomson adds greatly. Set, lighting and costumes support and showca...

5May

By Louise BalaguerNo Comments

Scotland

Swan Lake – Festival Theatre

David Dawson, who has created this new interpretation for Scottish Ballet, sees Swan Lake as the dance equivalent of the Mona Lisa’. This statement from the souvenir programme is one that stood out to me – it speaks to the monument of ballet that Swan Lake is. But unlike the Mona Lisa, it presents the advantage of being a form of art that is live, constantly in motion, with endless possibilities of reinterpretation. With the aim of creating a show for a modern audience, Dawson stripped back the layers of the story to reach its essence: passion and betrayed trust. There are no elaborate palace and lakeside decors, or costumes adorned with tutus. The costumes, designed by Yumiko Takeshima, are for simplicity, elegancy, and showing off the physicality of the dance. No Baron von Rothbart ei...

Scottish Ballet: Twice-Born – Edinburgh Festival Theatre

21Oct

By Kathleen MansfieldNo Comments

Scotland

Scottish Ballet: Twice-Born – Edinburgh Festival Theatre

I defy anyone not to love Schachmatt by Spanish choreographer, Cayetano Soto. It translates as Checkmate and playfully works its way through a range of eras, drawing an ongoing smile from this reviewer. Acting as a warm-up to Scottish Ballet's latest work, Twice-Born (developed by new boy on the block, Dickson Mbi) it is a fabulously entertaining and quirky piece. At the get-go your curiosity is piqued as a moody stage is slowly revealed. What follows is witty, unique and brilliantly executed by a top-notch team performing with precision and speed. Christopher Hampson, Scottish Ballet’s CEO, watched Schachmatt two nights in a row: “I remember feeling instant joy because I was watching craft at its highest level,” he said. He knew immediately he wanted to bring it to the Scottish B...

A Streetcar Named Desire – Festival Theatre, Edinburgh

4May

By Nazaret RaneaNo Comments

Scotland

A Streetcar Named Desire – Festival Theatre, Edinburgh

Since its debut in 2012, the Scottish Ballet’s production of “A Streetcar Named Desire” has been proved to be a stunning interpretation of Tennessee Williams’ classic play. It is a faithful adaptation of the original story that feels completely fresh and innovative in its ballet form. The choreography and music perfectly capture the emotion of the story and the performances are outstanding. This production is a beautiful expression of the themes of love, loss, and desire, and it is easy to see why it has won so many accolades. Every movement is deliberate, emotional, and perfectly timed to convey the psychology and inner battles of the characters. The dancing is both sensual and powerful, effortlessly capturing the passion and intensity of the story. In particular, the pas de deux be...

Scottish Ballet: The Crucible – Sadler’s Wells

16Jun

By Stewart Who?No Comments

London

Scottish Ballet: The Crucible – Sadler’s Wells

Arthur Miller’s The Crucible has a rare quality of being ubiquitous, but consistently relevant, provocative and timely. There’s always a witch hunt somewhere. Medieval villagers with pitchforks have evolved into middle aged idiots on Facebook. Or mob-giddy kids on TikTok. Theocracies continue to thrive, and the oppression in those places can make The Crucible seem tame. I’m looking at you; Yemen, Afghanistan, The Vatican, Saudi Arabia and Iran. Arthur Miller was famously a victim of McCarthy era ‘Reds under the Bed’ paranoia. The playwright was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. His play is more than just an allegorical spin on A...

The Scandal at Mayerling – Festival Theatre, Edinburgh

26May

By Melissa JonesNo Comments

Scotland

The Scandal at Mayerling – Festival Theatre, Edinburgh

Considering the months of uncertainty, the arts have faced after the past two years, Scottish Ballet’s Scandal at Mayerling is not just a feat of performance, but a tremendous achievement. Delivering such an astonishing piece of performance art is no small undertaking, and in doing so, the company demonstrate their strength as world leading company. The scandal of the ballet’s title rocked Europe. In a small shooting lodge on the outskirts of the Viennese woods, the politics of Europe changed forever- it’s the rarely spoken catalyst of World War I. A Crown Prince with divergent political views could have changed the course of history if he had inherited the crown, but here he is, as the ballet ends, reliant on morphine, obsessed with his mistresses and lying dead with his lover. This is...