Sarah Readman Archives - North West End UK

24Aug

By Danielle FarrowNo Comments

Scotland

EXXY – King’s Theatre

It’s quite something when the safety feature at the start of a show is for the audience’s health rather than the performers, and EXXY from Dan Daw Creative Projects continues to be quite something throughout this highly physically accessible production, with its built in text and sign language throughout, as well as being set up as a relaxed performance, with warning cues for more extreme lighting and sound. EXXY is labelled dance-theatre. It seems more heavily theatre, but with that dance quality which places the work of understanding movement onto the audience itself. Spoken word aspects (live and recorded), along with text and images projected onto the corrugated back wall, and strong soundscapes, all provide context - including Daws’ nan’s backyard and hospital settings - in which h...

The Glass Menagerie – The Yard Theatre

When the audience walked into the theatre, an actor was spray painting the wall of the stage, and smoke was being pumped into the air, a fitting start for an exceptional and anarchic evening of theatre. Tennessee Williams' classic play focuses on the Wingfields. Abandoned long ago by their father, the family are waiting on the promise of change, symbolised by the 'gentlemen caller' a figure who might come into the family's life and marry the daughter, Laura (Eva Morgan), giving her 'security', allaying her mother's (Sharon Small) fears, and allowing the son, Tom (Tom Varey), to be free of his obligations to them. What follows is a tender exploration of repressed desire. Photo: Manuel Harlan Jay Miller's direction is teeming with creative energy and takes an anarchic approach to sp...

WRESTLELADSWRESTLE – HOME Mcr

While you might not think Judo and racism are the easiest go-tos for a (sort-of) one-woman show, Jenni Jackson’s expert weaving of personal experience with community accountability in WRESTLELADSWRESTLE cracks the subject matter wide-open in an approachable way, inviting us in to listen and learn. The piece, at its core, is built off the universal desire we have as humans to assert ownership over our own pain: at least if we can decide when and how it happens, we can be somewhat prepared. Out of this, we learn anecdotal stories, as well as news snippets of traumas that have occurred to women when they simply weren’t prepared. So: Jenni prepares us. What we learn, among other things, is how to get people out of our house when they start to act aggressive. Bringing her ‘girl gang’ onstage...