Friday, April 26

Tag: Ruthie Henshall

Passion – Hope Mill Theatre
North West

Passion – Hope Mill Theatre

‘Die, Fosca! Die’ was the call from the auditorium in response to the first production of Stephen Sondheim’s ‘Passion’ in May 1994. Theatre trolling alive and well before the internet even existed. Who would have known?  No such reaction from the audience gathered in a packed Hope Mill Theatre this evening I can assure you, but I will come back to that… Based on Tarchetti’s 1869 novel Fosca, Passion is one of the few projects that Stephen Sondheim himself conceived. When it first opened on Broadway in May 1994 it was admired by critics but not by audiences who were utterly repelled by the character of Fosca, the woman with whom Giorgio eventually falls in love. Unattractive, manipulative, obsessive, relentless in her pursuit of this younger man, audiences refused to believe that t...
Passion starring Ruthie Henshall to play 4-week run at Hope Mill Theatre, Manchester
NEWS

Passion starring Ruthie Henshall to play 4-week run at Hope Mill Theatre, Manchester

Full casting is now announced for Stephen Sondheim/James Lapine’s Passion this May: Dean John-Wilson (Steven Spielberg’s Masters of Air, Apple TV; Aladdin) will play Giorgio, the man who finds himself at the heart of a passionate love affair, alongside Olivier nominated Kelly Price (What’s New Pussycat?, Birmingham REP; A Little Night Music, Menier Chocolate Factory and Garrick Theatre) as Clara. The cast is completed by Adam Robert Lewis (The Phantom of the Opera, Her Majesty’s Theatre), Charlie Waddell (South Pacific, Chichester Festival Theatre), Danny Whitehead (Wicked, UK tour), Dalton Harris (The X Factor), Ray Shell (Starlight Express, The Lion King), Steve Watts (As You Like It, Cheek by Jowl), and Tim Walton (Matilda the Musical, RSC). They join the Olivier Award winner and mu...
Godspell – Hope Mill Theatre Online
North West

Godspell – Hope Mill Theatre Online

Like the show itself, I’m going to wear my heart on my sleeve from the very beginning. I’m so glad I liked this production, because to dislike Godspell would be a very sad thing. Conceived and directed by Michael Strassen, if ever there was an illustration of how to make lemonade when life hands you lemons, this 50th anniversary production is it. The pandemic which makes this version necessary is incorporated into the piece and sits so comfortably, it could have always been there. Whereas on stage Godspell is very much an ensemble piece, of necessity in this presentation there is more focus on the songs and the performers. And what performers. The cream of west end stars are lined up for us. I doubt a live version would pull so many together and I doubt a live version would allow us...