RSC Archives - North West End UK

26Apr

By Paul AckroydNo Comments

London

Ben and Imo – Orange Tree Theatre

This is a superb production in all respects. It tells the story of the collaboration between two dominant characters in the world of music in the early 1950s. Benjamin Britten (Ben) at that time the foremost living British composer and Imogen Holst (Imo), the daughter of the renowned composer Gustav Holst. The play started life as a radio play in 2013 and then was adapted by Mark Ravenhill for the RSC premiering at the Swan Theatre in March 2024. It has now transferred to the small, intimate theatre in the round at the Orange Tree in Richmond. Britten has been given the task of composing, in only 9 months, a new opera to be performed at the Coronation Gala of Queen Elizabeth the Second in 1952. He has chosen for his subject the rather unpromising tale of th...

Hamnet – Garrick Theatre

Based on the outstanding sell-out book by Maggie O’Farrell, Lolita Chakrabarti adapts the story for the stage under the RSC, which just recently transferred to West End at the Garrick Theatre. This being such a widely known story it is likely to match the book in being a sell-out, however we lose so much of the quality and depth of the characters to perhaps fit the time frame. We are introduced to Agnes (Madeleine Mantock) a young woman in Warwickshire inspired by plants, herbs and natural resources- she meets her new Latin tutor, William (Tom Varey). From there, they fall in love and Agnes falls pregnant out of wedlock. Quickly married and now twins on the way William goes to London to pursue his writing. Although we have moments with William as his career takes off, we stay with the wome...

The Merchant of Venice – Royal Shakespeare Theatre, Stratford-upon-Avon

It is not often recognised that this is one of Shakespeare’s comedies and watching this RSC production from 2015 under the direction of Polly Findlay as part of the BBC Culture in Quarantine programme, one would be tempted to say it was a tragedy. I often say that less is more but Johannes Schütz’s set design is so bare that even with its pendulum constantly swinging, it is impossible to decipher a proper sense of time or place which is at the heart of this play about money and how it affects all involved. We begin with Antonio (Jamie Ballard), a prince among Venetian merchants who is unaccountably depressed despite his obvious success as a dealer in luxury goods. His friend Bassanio (Jacob Fortune-Lloyd) in contrast is broke but remains reasonably cheerful as he has a plan to marry Por...