Royal Court Archives - North West End UK

11Oct

By Olivia CoxNo Comments

London

Brace Brace – Royal Court

“A plane fell out of the sky, and we happened to be on it.” That’s the fourteen-word, remarkably oversimplified synopsis of Oli Forsyth’s new play Brace Brace, brought to life in a startlingly intimate traverse staging at the Royal Court, directed by Daniel Raggett. Having introduced themselves and their whirlwind love story to the audience, newlyweds Sylvia (Anjana Vasan) and Ray (Phil Dunster) explain how their honeymoon began with life-shattering tragedy: the plane they were flying on was taken over by a hijacker (Craige Els, who also portrays a young passenger’s father and the pilot). If the unthinkable horror of believing you’re about to crash to your death from thousands of feet in the air wasn’t enough to fracture the couple, it’s the unique part they each play in the near ...

28Sep

By Alice RoseNo Comments

London

Giant – Royal Court

In 1983, weeks before Roald Dahl’s new book ‘The Witches’ is to be released, a fury is coming back round to question and confront Dahl’s recent book review in which he comments on Tony Clifton’s ‘God Cried’ picture book. This review sparked a huge amount of controversy and corrupted Dahl’s sweet and humorous image. In this imagined piece, Mark Rosenblatt creates a fictitious afternoon in which Dahl’s publicists are pushing for an apology for his review. John Lithgow as a superbly complex Dahl is adamant on standing by his beliefs no matter the consequences to who might cull his books from the shelves. Rosenblatt comments that this piece although fictitious, has intertwined verbatim comments made from Dahl on this matter. As our current day viewers are now confronted with the long hi...

17Sep

By Zara OdetundeNo Comments

London

The Prudes – Royal Court

The Prudes, written by Anthony Neilson, is a comedy centred around the sex lives (or lack thereof) of Jimmy and Jess, a couple grappling with intimacy issues. While the premise offers plenty of potential for humour and thoughtful exploration of modern relationships, the production, unfortunately, falls short in several areas, leaving the audience with a mixed experience. Vkinn Vats, who portrays Jimmy, tended to overact at times. His performance felt slightly exaggerated, not reminiscent of a man struggling with insecurity and relationship woes. Instead of fully drawing the audience into his internal conflict, the over-the-top delivery occasionally pulled us out of the moment. At times, it seemed as though the actor was playing for laughs in a way that leaned more towards slapstick than...

ECHO (Every Cold-Hearted Oxygen) – The Royal Court

19Jul

By Riana HowarthNo Comments

London

ECHO (Every Cold-Hearted Oxygen) – The Royal Court

As if a play within a play wasn’t trippy enough! In ECHO, we see dialogue being spoken as it is typed out, and witness words spoken from writing in the past. The actor of the night (Adrian Lester this time) is placed and guided around the stage, without having rehearsed or knowing what follows. The piece is a mingling of themes personal to Soleimanpour, as they often are in plays to most playwrights, but this is made overtly clear in this one. Time-travelling, distance, home, and his journey form the fabric of the play. Nassim (Soleimanpour) video calls Adrian - face projected on a large stretched screen on the stage. Even now, I can’t discern whether this was live or pre-recorded. Anyway, I shouldn’t ruin it. So, Nassim is chatting with Adrian, but then gets sidetracked (conveniently),...

Boys From the Blackstuff – Liverpool’s Royal Court

25Apr

By Hannah EsnoufNo Comments

North West

Boys From the Blackstuff – Liverpool’s Royal Court

After its sell out run last Autumn and news of a transfer to the National Theatre, this production remains keenly awaited. The industrial, bare-boned set frames a strong start. Punchy, witty and clear are the performances, with a sense of foreboding about what’s to come. That ever-present feeling of foreboding is what keeps this play alive. Other than the everyday feel, the unassuming personalities on stage and the important subject matter, this play survives, just, on likeability of characters. As someone not originally from Liverpool, especially not in the mid-80s, I fear that presenting to a non-scouse audience, this production would not hit emotional beats as strongly when those watching do not necessarily understand the realities of this quintessentially scouse story of struggle. ...

9Apr

By Anisha PucadyilNo Comments

London

Gunter – Royal Court

Gunter is haunting! Take a bow! Lydia Higman, Julia Grogan, and Rachel Lemon are three co-creators who prepared the show just in time for the Edinburgh Fringe 2023. They took the Fringe by storm with sold-out shows at Summerhall then. As you read this review, they continue their winning streak with sold-out shows at the Royal Court. The play wraps fiction, myth, past, and present with haunting imagery and spine-tingling music. My favourite moment on stage is young Anne centre stage, sitting with her period pain as the 'adults' trip over their own assumptions of what is happening without asking her. You wonder why you have never seen this before on stage. You wonder, after all these years, why we are still fighting wars and lamenting dead children instead of researching the deep pain wom...

18Jan

By Alice RoseNo Comments

London

Cowbois – Royal Court

This is my desert island show. It’s only January and I’ve discovered the best play of 2024. Charlie Josephine (writer and co-director) finds a very welcoming new home in the Royal Court after their run before Christmas in Stratford-upon-Avon. We explore the Wild West, a struggling town after the ‘husbands’ of the town go off in search for gold and more supplies. The ‘Wives’ are left waiting but in hearing news of a nearby explosion, hold no hope in their return. Miss Lillian (Sophie Melville) holds the bar while her husband is away- praying every morning for his return when news of the famous criminal ‘Jack’ (Vinnie Heaven) is on route to town. What unfolds is a beautiful release between two people finding their joy, passion and reason to feeling happy and being alive. This town is t...

23Sep

By Carole BaldockNo Comments

North West

Boys From The Blackstuff – Liverpool’s Royal Court

A standing ovation was a given, and Alan Bleasedale here to enjoy it, but I've never seen individual scenes applauded before. It's an astounding piece about the bitter struggle between employers, employees (Dole Office sniffers) and unemployed; men, once so proud of their skills, engulfed by the darkness of poverty and despair. A grand scale tragi-comedy, filled with microcosms: the second half seems like a series of vignettes, monologues and dialogues: fraught scenes between husband and wife, father and son, etc. On the one hand: farce, Freda (Helen Carter) in her hallway, caught between Malloy (Dominic Carter) at the back door, Angie at the front, the phone constantly ringing. Then Yosser, seeking to discover the meaning of life from the churches at each end of hope Street. Th set is ...

30Jul

By Anisha PucadyilNo Comments

London

Word-Play – Royal Court

Artist – audience - resonance - reflection - WEIRD - discomfort - indifference - values - public - harm - community - responsible? – cracked - so many tiny pieces. Rabiah Hussain has made a masterpiece. Word- Play is evocative, heart-wrenching and poignant. Kudos to director Nimmo Ismail for the skilled use of light, space, and direction. Each of the actors painted with broad strokes scenes from across London. Some we have observed, some we have heard of and many that clawed into our skins and made us feel deeply. From scenes of bastions of power making guffaws to the playground to dinner-time social niceties, the drama uncovers the discomfort that often remains unexpressed in social interactions using words that give light to our unconscious biases and blind spots. Also, how we lean...

13Jul

By Akshay RahejaNo Comments

London

Cuckoo – Royal Court

Michael Wynne's play delves into the lives of a typical family, examining the profound impact of mobile phones on their relationships. Seventeen-year-old Megyn barricades herself inside her grandmother's bedroom following a heated family discussion, leaving her mother Carmel and sister Sarah deeply concerned. The play explores the isolation caused by these devices, their psychological allure, the troubles they pose for teenagers, and the detachment experienced in online encounters, devoid of genuine emotion. While Carmel's character is well-developed, her dismissal of her sister, mother, and daughter presents subjective and intriguing reactions, leaving the audience yearning for deeper exploration. Under the direction of Vicky Featherstone, the staging of Cuckoo remains straightforward ...