Monday, August 24

Tag: Robin Simpson

Much Ado About Nothing – Thomas’s College
London

Much Ado About Nothing – Thomas’s College

Tom Littler’s staging of ‘Much Ado About Nothing’ is a true masterclass in how Shakespeare should be performed, adapted and directed: intelligent without becoming academic, emotionally rich without descending into sentimentality, and uproariously funny without ever compromising the text. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, alongside ‘Love’s Labour’s Lost’, it is an extraordinary theatrical achievement that is brilliant on every level. The production continues the stories of the same characters from ‘Love’s Labour’s Lost’, but six eventful years later. The original carefree summer of 1939 has been replaced by the summer of 1945, with the surviving men returning from war and the women revisiting the village i...
Love’s Labour’s Lost – Thomas’s College
London

Love’s Labour’s Lost – Thomas’s College

Tom Littler’s adaptation of ‘Love’s Labour’s Lost’ is an exceptional theatrical achievement: intelligent, technically accomplished and irresistibly entertaining. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, this glorious open-air production demonstrates precisely how Shakespeare can be made contemporary, immediate and entirely accessible without sacrificing the richness of the original text. The production is performed in repertory with ‘Much Ado About Nothing’, using the same company to connect the two comedies across six eventful years. Although the productions reward being seen together (this is highly recommended), they also stand independently. Having recently played within the grounds of Braboeuf Manor in G...
The Last Picture – HOME Mcr
North West

The Last Picture – HOME Mcr

This may be a tale told by a dog, but it isn’t a shaggy dog story. It is a moving and perceptive tale about hate, shame, pain and ultimately humanity. In dangerous times, amidst the mess of human existence, light can shine, and there is hope. Storyteller Robin Simpson bounds onto the stage and tells us he is Sam, an emotional support dog trained to look after us all. He has been assigned to a Year 9 class, which means children aged 13 to 14. Catherine Dyson’s script is structured through a series of pictures described by Sam. We are invited to imagine these images sometimes from the kids' perspective, at times from our own, and even to envision how the people in those photos might have been feeling at the time. A swastika has been drawn on a locker, and even though the children mi...
We Wish You Long Life – Synagogue Scratch at Manchester Jewish Museum
North West

We Wish You Long Life – Synagogue Scratch at Manchester Jewish Museum

Performing as part of Manchester Jewish Museum’s inaugural Synagogue Scratch season, We Wish You Long Life, written by Amy Lever and directed by Helen Parry, explores cultural integration, shared memory, and family ties, when Steven (Robin Simpson), raised Catholic, is brought begrudgingly by his wife, Mary (Orline Riley), to a Jewish house of mourning for a person he doesn’t seem to remember. Father and daughter, David (Danny Ryder) and Katie (Lever), await the arrival of the Irish Catholic side of their family whilst food caterer Karen (Tilly Sutcliffe) begins to wonder if this is the strangest event ever. A Q&A session with the writer, director, and cast followed which provided useful background on the piay which began life as a ten-minute piece as part of a short play festival ‘...
As You Like It – Wilton’s Music Hall
London

As You Like It – Wilton’s Music Hall

As You Like It, thought to have been written in 1599, was historically never one of Shakespeare's most popular pieces, his tortured kings and princes apparently preferred by audiences and critics over his frolicksome pastorals.  It has come to the fore in more recent years with multiple adaptations on stage, screen and even radio.  Northern Broadsides' production focuses on the power of love coupled with the force of nature to change the world.  So "All the world's a stage and all the men and women merely players".  Duke Frederick has exiled his older brother, Duke Senior, to usurp his duchy. Duke Senior's daughter, Rosalind, was permitted to remain in court but is then likewise exiled for reasons which are never entirely clear. She leaves with her cousin, Celia, and they disguise thems...