Robert Jones Archives - North West End UK

14Jun

By Mark DavorenNo Comments

London

Andréa Chenier – Royal Opera House

David McVicar’s spectacular staging of Umberto Giordano’s epic verismo opera of revolution and forbidden love from 2015 is brought back to life by Revival Director Thomas Guthrie with the orchestra under the baton of Antonio Pappano in his last production as Music Director of The Royal Opera. At a glittering party in 18th-century Paris there are distinctly two tiers of society on display from the lowly footman Gérard (Amartuvshin Enkhbat) who follows in the footsteps of his father who has been in service for sixty years, to the sumptuous host, Contessa di Coigny (Rosalind Plowright), whose daughter Maddalena (Sondra Radvanovsky) straddles both as she eschews the fancy dress and faux manners in favour of intellectual discussion, so when the poet Andréa Chenier (Jonas Kaufmann) delivers a...

The Unfriend – Wyndham’s Theatre

We've all done it - you're on holiday, you're relaxed, you meet a fellow tourist and strike up a vacation-friendship. You say, "We must keep in touch", even exchange contact details without ever really meaning anything other than "Goodbye" and never really wanting to see that person again. Maybe you exchange Christmas cards but nothing more. It's part of the British psyche to avoid appearing even a little impolite, so you will do everything to escape a hint of awkwardness or embarrassment. Thus, when Peter and Debbie meet ebullient far-right-wing American, the Trump-supporting Elsa Jean Krakowski, on a cruise and she invites them to visit her in Denver, they reluctantly give her their email address. A few weeks later she's manipulated them into letting her stay for a few days and she turns...

Happy Days – Riverside Studios

Celebrating 60 years of Samuel Beckett’s much-acclaimed play, this special revival of ‘Happy Days’ has Lisa Dwan take on its titular role of Winnie, a woman buried to her waist in sand as she goes about her daily routine, often remarking to herself that indeed, “this is a happy day”. Directed by Trevor Nunn and designed by Robert Jones, this production is a stark reminder of the drudgery and futility of the domestic lives we live, caught in a never-ending cycle of repetition and relief as we seek refuge from the same relationships that drive us to the edge. The two-act structure reinforces the central theme of passage of time and how Winnie, through her slow and inexplicable sinking into the sand, is unable to escape the cruelty and disappointment of her perfect life, especially her marria...