Thursday, December 26

Tag: Riverside Studios

The King of Broken Things – Riverside Studios
London

The King of Broken Things – Riverside Studios

At the start of The King of Broken Things, we enter into a space full of lost, discarded objects. We sit. We contemplate the items around us – well loved, full of potential. A young child arrives, fleeing bullies, and then, having pushed out their cruel, overwhelming voices, shares with us what it means to be broken, what it means to mend and what possibilities exist for us when we dream, imagine and believe.  The King of Broken Things, written and directed by Michael Taylor-Broderick, who collaborated on the (lovely) design with Bryan Hiles and Darren Peens, is a delightful story for the whole family. Creatively textured and built out, and ever inviting the audience to join in on the fun, whimsy, and heart, the show offers adults and children alike a window into a more joyous, mor...
Slave: A Question of Freedom – Riverside Studios
London

Slave: A Question of Freedom – Riverside Studios

Slave: A Question of Freedom is a powerful performance that transports the audience to the Nuba Mountains, where we are introduced to Mende Nazer in her childhood. We see Mende with her family, singing, dancing, playing, attending school, and enjoying the wonders of life. This remarkable true story soon shifts gears, confronting us with the brutal reality and horrors inflicted by humankind. We witness the devastation as Mende’s village is raided, families are killed, and children are taken—forced into lives they never wanted or deserved. The play delves into the ongoing existence of modern slavery, vividly portraying the tragic reality that such horrors are still a part of our world. The scenes make references to incidents including sexual violence, murder, female circumcision and many ...
Kim’s Convenience – Riverside Studios
London

Kim’s Convenience – Riverside Studios

London’s theatre scene has no shortage of productions inspired by TV shows, from Stranger Things to Fawlty Towers. Kim’s Convenience, on the other hand, is the rarer example of a successful play that spawned an even more successful TV adaptation. Over 13 years since its first debut at Toronto Film Festival (and nearly six since the premiere of the Netflix sitcom it inspired) Ins Choi’s Korean-Canadian family comedy has debuted in London, transferring to Riverside Studios after a sell-out run at Park Theatre. In this Esther Jun directed production, Choi takes on the role of patriarch Mr. Kim, fondly known as Appa, who owns and runs a neighbourhood convenience store with the reluctant help of his daughter Janet (Jennifer Kim). With new condos springing up across the area and the impend...
The Defamation – Riverside Studios
London

The Defamation – Riverside Studios

Presented as part of the Riverside Studios Bitesize Festival, this is an intriguing piece of theatre written by Zen Tucker. Said to be inspired by the events of the Depp versus Heard defamation lawsuit in the US, it is situated in a liminal space between life and death. Five of Shakespeare's best-known female characters are obliged to spend interminable time awaiting the decision of an afterlife court as to whether they should be dispatched to heaven or hell. The setting is a library with somewhat irregular shelves and two small tables. The characters are Desdemona, Lady Macbeth, Hermione, Ophelia and Hero. For those not familiar with Shakespeare, the character sheet provides a useful summary of their roles their respective plays. The play, which is written in blank verse, involves the ...
Knives and Forks – Riverside Studios
London

Knives and Forks – Riverside Studios

In Danielle James's ambitious but uneven play, Iris and Thalia live in a flat share. Firm friends who share a life of carefree partying and fun. But Iris is hiding a catastrophic secret that will rip their world apart. Knives and Forks, directed by Annah Calascione, has a strong story at its heart, one of love and acceptance in the face of the ultimate ending. Where it becomes a little problematic is in the additional elements utilised to tell this story. Both Iris and Thalia have shadows, or 'psyches' who dress like them and express themselves through movement and words or art, added to a huge canvas backdrop. Now and again, it is a clever shorthand to highlight what is not being said. But as both an emotional device, and a practical one to tell us where we are in the non-linear...
Home, Sweet Home – Riverside Studios
London

Home, Sweet Home – Riverside Studios

Amalia Kontesi's contribution to Riverside Studio's "Bitesize Festival" of short plays explores the concept of home. Ellie lives in London, working in a high-paid marketing job which she hates, having left behind her parents and brother in Athens. Is "home" in London, Athens, or the summer cottage by the sea that the family scraped together the means to buy, and which Ellie and her brother adored?  Ellie has returned to the cottage in order to sort it out prior to putting it on the market. As she reminisces about the wonderful summer times by the sea, the fun, her first kiss, first love and subsequent heartbreak, sibling rivalry and eventual loss, can she bring herself to sell up or does she need to hold onto this house that holds so many memories? Is the cottage her home now?  Behind this...
This Is Memorial Device – Riverside Studios
London

This Is Memorial Device – Riverside Studios

Capturing an art induced euphoria and a sense of estrangement, we are shown the meaning in the small, contained world of fictional band, Memorial Device. Graham Eatough brings to life David Keenan’s novel that merges an imagined world and the 80’s music scene in Airdrie. The set and concept was intriguing and provoking. The mannequins on stage was such a beautiful idea (slightly absurd and eerie nonetheless) - enlivening the way the band and the music made the speaker feel. Deeply poetic, lyrical words were woven in between the candid. The running thread through the script was of feelings; of awe and searching to reconnect to an ecstatic moment, and a feeling of mourning. In ways, it felt like an ode, and a eulogy. Actor Paul Higgins took us on a journey in this strange suspended time, ...
Artificially Yours – Riverside Studios
London

Artificially Yours – Riverside Studios

You can’t escape talk about AI these days. Whether it’s dubious photo editing or a dodgy script in an ill-fated Willy Wonka experience, this tech has well and truly permeated our collective consciousness, so it comes as no surprise that it’s starting to be explored through theatre. Enter: Aaron Thakar’s Artificially Yours, playing its first-ever run at Riverside Studios until 21st April. The play revolves around the domestic lives of three couples: Pippa and Martin (Leslie Ash and Paul Giddings), Lilah and Ash (Destiny Mayers and Aaron Thakar), and Ellie and Noah (Ella Jarvis and Jake Mavis) — all of whom have welcomed Agapē, the AI-powered virtual relationship therapist, into their homes. Each couple navigates various disputes that one person in the relationship believes can be reso...
The Good Father – Riverside Studios
London

The Good Father – Riverside Studios

What are you doing for sex tonight? When was the last time you felt comfortable singing in front of someone? Who do you belong with, really? The Good Father poses all these questions and leaves plenty of empty space in its performance for you to spend the whole night coming up with your own personal answers. Directed by Mark Fitzgerald and written by Christian O’Reilly, this play is somewhat lacking in theatricality and sitting in the audience you get the sense that it’s only being performed live in front of you because there wasn’t enough budget to turn it into a proper film. Both actors’ performances are serviceable and occasionally attention-grabbing, but they have a lot of empty space to fill, and it is an intimate enough story that audiences feel more like interlopers than particip...
Bury Me – Riverside Studios
London

Bury Me – Riverside Studios

Bury Me is billed as a one act comedic drama which has been put on at the Riverside Studios as a part of their Bitesize Festival, a theatre festival meant to platform and uplift new and emerging theatre talent. This story was told in two timelines. The timeline in which Nadia is trying to track down her brother Noah’s body to be able to hold his funeral and the timeline in which Noah and his family are preparing for him to undergo a surgery to treat his cancer. Being able to get to know the person that these characters lost was a great choice, so we can imagine the extent of Nadia’s pain more and more throughout the play. The highlight of this show was the exploration of the strength of the sibling bond. Explored by Gillian Konko and Peter Todd through their characters Nadia and Noah...