Richmond Theatre Archives - Page 3 of 4

16Nov

By Michelle KnightNo Comments

London

The Woman in Black – Richmond Theatre

This is a two-hander play with Malcolm James playing Arthur Kipps and Mark Hawkins the actor and takes place in the early 1950’s. The story is of an older man Mr Kipps living out his disturbing life and telling his story through is younger self portrayed by the enthusiastic Actor. The scene is set; Arthur Kipps is a solicitor advisory on the estate of Alice Drablow in a small town of Crythin Gifford. It starts with the two players clashing over Arthur’s portrayal and mere reluctance to perform and act out his story in preference to speaking it in a monotone fashion, this frustrates the actor, and this is an ongoing theme throughout. There is narration and switches of character which at times leaves you feeling slightly confused and playing catch up on who is who. ...

And Then There Were None – Richmond Theatre

1Nov

By Dave SmithNo Comments

London

And Then There Were None – Richmond Theatre

"And Then There Were None" is one of the best-selling novels of all time with Agatha Christie's sales surpassed only by the Bible and William Shakespeare. The inscription above the stage at Richmond Theatre which reads "To wake the soul by tender strokes of art," seems to contrast starkly with the ruthless and unforgiving nature of events in this play. Eight strangers and two servants receive invitations to stay on Soldier Island, but it quickly becomes evident that they have all been deceived, as connections to their supposed hosts, Mr. and Mrs. Owen, turn out to be shaky or false. The Owen’s never appear, and a storm isolates the group on the island, cutting them off from the mainland. The guests seem to have little in common, and they squabble with each other and with the servants. E...

26Oct

By Maani WayNo Comments

London

Farm Hall – Richmond Theatre

For a limited run only, Farm Hall opens at Richmond Theatre this October. Inspired by the true events that took place at Farm Hall between July 1945 and January 1946, the play tells the story of six of Germany’s top nuclear scientists – including three Nobel Prize winners – who find themselves locked in a country house in the Cambridge countryside, having been captured by the Allied forces. The show opens with a sharp, loud telephone ring, the audience’s attention immediately drawn to the action on stage. The cast are all present and relax into their positions for the first scene. This gives time to take in the rustic and historical set, a living room and dining area for which the entire play takes place. With limited forms of entertainment, and no insight to the outside world, this is ...

Around the World in 80 Days – Richmond Theatre

18May

By Maani WayNo Comments

London

Around the World in 80 Days – Richmond Theatre

The classic tale of Phileas Fogg and Passepartout, who, to win a wager, travel around the world in no less than 80 days, is back and this magical adventure has been brought to life once more. Fact meets fiction in this production as the audience is treated to the incredible true story of American journalist Nellie Bly who decided to take Phileas’ goals and make them a reality. In a somewhat Brecht style, the show is a “play within a play” and creates some fun stylistic moments. The set is bright and vibrant, allowing for dynamic movement across several levels, featuring some unusual and fun props. Though a cast of only five, this performance is nothing less than rich. Every cast member gives a full and polished performance, each playing at least three different characters, making it ...

The Beekeeper of Aleppo – Richmond Theatre

3May

By Alan Stuart MalinNo Comments

London

The Beekeeper of Aleppo – Richmond Theatre

‘The Beekeeper of Aleppo’, adapted for the stage by Nesrin Alrefaai and Matthew Spangler, is based on Christy Lefteri's bestselling novel. The play follows the story of Nuri, a beekeeper, and his wife Afra as they navigate a dangerous journey from war-torn Syria to the UK. The couple's experiences are shaped by the trauma they faced during the war, and the challenges they encounter as refugees seeking safety and a new home. As Nuri and Afra struggle through Turkey and Greece, leaving behind the shattered remains of their lives, audiences bear witness to their resilience and strength and see the power of the human spirit in the face of adversity. Lefteri's novel is a powerful story that offers a glimpse into the harsh realities faced by refugees, and the play adaptation seeks to bring th...

6Apr

By Maani WayNo Comments

London

Home, I’m Darling – Richmond Theatre

Being a domestic goddess is not as easy as it seems… This new and innovative thought-provoking comedy tells the story of Julia (Jessica Ransom) and her husband Johnny (Neil McDermott) in their quest to becoming the perfect 1950s couple. Set in modern day, Julia and Johnny decide to lean strongly into the idea of being a traditional 50s couple, even refurbishing their home and lifestyle in order to fit into the mould. A voluntary redundancy takes Julia from a modern working professional into a traditional housewife’s role, and what started out as a six-month trial period turned into a three-year ‘experiment’. The intricate, bright and colourful set is a major character of this show, the detail bringing the action on stage to life and allowing the cast to use the entirety of the spa...

Charlotte and Theodore – Richmond Theatre

22Mar

By Marita MatarNo Comments

London

Charlotte and Theodore – Richmond Theatre

‘Is this so bad if they see their mother succeed?’ – Charlotte In the wake of movements related to feminism, LGBTQIA+, disabled bodies, protected groups, hegemonies and systematic inherited structures, Charlotte and Theodore written by Ryan Craig, directed by Terry Johnson, performed by Kris Marshall (Theodore) and Eve Ponsonby (Charlotte) addresses the intricating and the strenuous gaps, that exist between people of different identities and age when talking about inclusivity, gender, pronouns, dilemmas of cancel culture, and dominant groups, etc. The 90 minutes long play proposes solutions, perhaps? Not in the same way Billy Wilder did in Some like it Hot but rather by following the evolution of conversation between two lovers and two professors, at different points in their lives. ...

Pride and Prejudice (*Sort Of) – Richmond Theatre

14Feb

By Zara OdetundeNo Comments

London

Pride and Prejudice (*Sort Of) – Richmond Theatre

After an extremely successful run in the West End, this retelling of Jane Austen’s most famous love story is on tour, and I had the pleasure of viewing their Richmond theatre stop. This is the classic story we all know told through a very different lens. Pride and prejudice (*sort of) is a masterclass in comedic storytelling and audience engagement. The story starts with the servants of Austen’s iconic characters detailing their involvement in making sure these love stories end the way we all know and love. This is one of the funniest plays that I have seen in a while with so many laugh out loud moments, that I think I was laughing for 2 and half hours straight. There were multiple points in the show where the audience burst into spontaneous applause born from the sheer hilarity of t...

<strong>Nerubashenko Ballet presents Swan Lake – Richmond Theatre</strong>

14Jan

By Zoё MeeresNo Comments

London

Nerubashenko Ballet presents Swan Lake – Richmond Theatre

I should start this by qualifying up front that while I enjoy the ballet, I am by no means a seasoned or knowledgeable audience member. I find ballet staggeringly impressive in terms of the talent and physical/athletic demands and beautiful as an art form while still thinking things like “I wonder if her feet hurt” and “I hope he doesn’t drop her”. With that in mind, we continue… The story of Swan Lake is the stuff of fairy tales – prince falls in love with enchanted swan-woman, is tricked by evil magician into falling for an evil look alike; it’s all very Disney. The musical score will be recognisable event to those who have never been to the ballet before, so it’s one of my ‘entry level’ ballet suggestions for people who are keen to go. I’ve always thought of a trip to the ballet a...

<strong>Mrs Warren’s Profession – Richmond Theatre</strong>

23Nov

By Paul AckroydNo Comments

London

Mrs Warren’s Profession – Richmond Theatre

George Bernard Shaw wrote Mrs Warren's profession in 1893. It was immediately banned by the Lord Chamberlain, and it was not until 1925 that it had its first public performance. A lot has changed in the last hundred years, and there is little in the text now which would scandalise. Indeed, given that it is dealing with issues of prostitution it is surprisingly coy in its use of language. The core of the play is the relationship and conflict between Mrs Warren, who has made a prosperous living through her prostitution business, and her daughter, who has benefited, largely unknowingly, from the financial security and educational and economic advantages which her mother's wealth has provided her. In this production, the mother and daughter are played by real mother and daughter Caroline an...