Saturday, May 11

Tag: Richard Howell

Nachtland – Young Vic
London

Nachtland – Young Vic

This play by Marius von Mayenberg  presented in a translation by Maja Zade sells itself as “a jagged new satire” and is set in modern-day Germany. Siblings Nicola (Dorothea Myar-Bennett) and Philipp (a nervously downtrodden John Heffernan) are clearing out their late father's house. Curiously most of his goods are being cleared from the stage as the audience file in, leaving one item wrapped in brown paper, found in the attic. It’s a painting of a church, a simple piece, but the signature is of the most interest. Is it indeed a painting by Hitler, and if so how did it find its way here? There is plenty of mileage here for black humour or satire, but the pacing feels off and some segues are either head-scratching (Nicola’s husband Fabian (Gunnar Cauthery)’s behaviour takes...
Jekyll and Hyde – Royal Lyceum Theatre
Scotland

Jekyll and Hyde – Royal Lyceum Theatre

This adaptation by Gary McNair of Robert Louis Stevenson's novel, is keen to point to its source's Edinburgh roots, though mostly through the programme and the lead (and only) actor's Scottish accent. Unlike some recent productions of Great Expectations or Dracula however, it stops short of relocating the story to Scotland. But even the medium of a play represents a coming home of sorts: this story began with the true tale of furniture-maker and lock-breaker Deacon Brodie, about whom Louis Stevenson first co-wrote a play entitled Deacon Brodie, or The Double Life, though it was his later retooling of the idea of duality into the novella Strange Case of Dr. Jekyll and Mr. Hyde which would find lasting success. The story is well-known (spoilers) for its crucial dual role, which lead a...
White Christmas – Sheffield Crucible
Yorkshire & Humber

White Christmas – Sheffield Crucible

‘Alistair David’s choreography is simply the ‘glitter glue’. Originally a 1954 film starring Bing Crosby, Danny Kaye, Vera Ellen and Rosemary Clooney, Irving Berlin’s White Christmas as become a staple of our festive celebrations. The title song was originally written for the musical Holiday Inn and is a multimillion copy seller with Bing Crosby’s version making up half of the sales. Sheffield Theatres bring this classic to the stage at their Crucible Theatre (in-the-round) and it has a stellar cast who are both in tune with its sentimentality and its splendidly relentless song and dance spectacle. The story includes a retired General who is now an Innkeeper in Vermont and two of his former platoon members Bob and Phil, who are now successful entertainers. Their paths cross again as...