Minority Report – The Rep, Birmingham
Science fiction doesn’t work on stage. There I’ve said it. Someone had to. What was the last great science fiction stage play you saw? No, me neither. It’s a genre born of, and best suited to, cinema. From Metropolis to Dune sci-fi’s visual imagery has played equal part to its plots and philosophy. Sadly, no matter how dexterous and inventive the stage design, it’ll never quite capture a cinematic experience. Though, without doubt, one of the more outstanding elements of this production is Tal Rosner’s ethereal digital design perfectly evoking the virtual world of the near future.
The play, based of Phil K.Dick's short story riddled with Cold War paranoia, is about pre crime. The capacity to identify a murderer before they commit a murder and arrest them. Whilst this is explained by the...
