Wednesday, September 28

Tag: Qasim Mahmood

One Man, Two Guvnors – Liverpool Playhouse
North West

One Man, Two Guvnors – Liverpool Playhouse

Liverpool Playhouse Theatre welcomes The West End and Broadway hit comedy “One Man, Two Guvnors”.  Following its roaring success when the show was first performed in 2011 and starred James Cordon, it is a delight to see production companies ‘Octagon Theatre Bolton’ and ‘Theatre by the Lake’ have taken this show on the road and is gracing our Liverpool Playhouse stage this summer.  The audience are welcomed by the sweet tones of the cast who also make up the house band in this production. Elevated on the first floor of a striking set, the band set the mood for this fun, energetic production set in 1963. The theatre is alight with flashing bulbs that give fantastic seaside holiday vibes, in keeping with the Brighton setting. The story begins in the home of Charlie (Rodney Ma...
One Man, Two Guvnors – Octagon Theatre
North West

One Man, Two Guvnors – Octagon Theatre

After a critically acclaimed National Theatre premiere, a UK tour, an award-winning West End transfer and a Broadway run which kickstarted James Corden’s stratospheric stateside success, there can’t have been many people left who hadn’t seen the original production of One Man, Two Guvnors. And then the pandemic struck. Another 200,000 tuned in to the NT Live performance. One of the theatrical highlights of lockdown. It’s a brave programmer then who opts to revive Richard Bean’s adaptation of Goldoni’s commedia dell'arte classic The Servant of Two Masters. It’s a gamble that’s largely paid off. For anyone unaware, 1700s Venice has been replaced by 1963 Brighton. That aside, Bean’s adaptation is surprisingly faithful. Both to the plot and themes of upper-class stupidity, gender equ...
Aladdin – Lyric Hammersmith
London

Aladdin – Lyric Hammersmith

Panto's resurgence in recent years has brought new attention to a format which often is a child's introduction to live theatre.  Vikki Stone's re-imagining of the traditional Aladdin keeps the plot (well, not that there is much plot and what there is makes little sense) and brings in modern elements of beatboxing, references to TikTok, current politics and celebrity gossip. The leads wear tracksuits, the princess is feisty and unwilling to be married off to just anyone or at all but the villain is still evil and the good guys win in the end.  The show starts with a song about how they all know they are just pretending because they are in panto. The audience does already know that, obviously, but it's a very on-the-nose statement to start by challenging the high level of suspe...