Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Saturday, March 29

Tag: Q Dance Company

reINCARNATION – Festival Theatre
Scotland

reINCARNATION – Festival Theatre

Nigeria’s population is overwhelmingly young, and unemployment is high. Amidst the hardship, dance is a popular creative outlet, and many young Nigerians share their talents through videos on social media. In 2014, Qudus Onikeku returned to his home city of Lagos, having achieved acclaim as a choreographer in France. He was inspired by the abundance of creative talent, and invited some dancers to a workshop. The workshop grew into a school, and the Q Dance Company is a creative home for the school’s graduates. The rehearsal period began with an improvisation session. Onikeku instructed the dancers to allow their bodies to take the lead, and let the dance pass through them. Throughout the session, Onikeku sketched, and he refined the ideas to devise the piece. The resulting choreo...