Pleasance Courtyard Archives - Page 2 of 3

Lucy & Friends – Pleasance Courtyard, Forth

6Aug

By Caroline WorswickNo Comments

Scotland

Lucy & Friends – Pleasance Courtyard, Forth

After going to Shakespeare’s Globe Theatre recently and seeing Lucy McCormick play Saturninus in their production of Titus Andronicus, I thought I would see what Lucy does without the constraints of the Bard’s pen work, and The Globe’s policies to rein her in. This was my first experience of McCormick’s alternative side, and the two could not be more different. McCormick likes to greet her audience as they arrive, mingling with them, and I guess the title of the show gives you a hint as to the reason for this, we are to be her friends! Some members of the audience are given jobs to do, she is short-handed, so needs help with some tasks, this inclusion within the show creates an amazing atmosphere within the audience, as we see fellow audience members (sorry, friends), becom...

Bitter Lemons – Pleasance Courtyard (Beneath)

6Aug

By Tom ScottNo Comments

Scotland

Bitter Lemons – Pleasance Courtyard (Beneath)

Two women, both in their twenties, are high fliers in careers traditionally associated with men. One is a professional footballer, the other a banker. They are both on the cusp of even greater success. But their lives are changed for ever by something that can never happen to a man - they get pregnant. This is a wonderful new play, beautifully written by Lucy Hayes. It is transferring next month to the Bristol Old Vic. The writing is spare, often poetic, and crackles with energy. There is gentle humour, too, especially in the descriptions of the women’s relationships with their mothers. Apart from a brief meeting at the end, the women never interact. They tell us their stories and we in the audience are their confidants. We are never told their names, but these women are sp...

Murder She Didn’t Write – Pleasance Courtyard, Pleasance One

4Aug

By Beth EltringhamNo Comments

Scotland

Murder She Didn’t Write – Pleasance Courtyard, Pleasance One

Have you ever fancied watching a murder mystery where even the murderer doesn’t know its them until halfway through the show? Well then, this murder mystery improvised phenomena may just be right what you’re looking for. Taking all the classic elements of a typical ‘who done it’ murder mystery but shaking it up with the plot, characters and murder weapon being decided upon by the audience right at the start of the show. It’s a wonder how the Degrees Of Error theatre company manage to come up with a fully-fledged play that still leaves it’s audience gasping with shock when the truth is revealed. With the events of the play being decided upon during the show I feel no fear in revealing the plot of our performance: Donald Trump’s trial and the tiny shark. To even shape such a...

16Feb

By Roger JacobsNo Comments

Scotland

Bring It On – Pleasance Courtyard

Setting the tone, pennants representing the rival schools of the story (Truman and Jackson) adorned the walls of this hallowed hall. But one sported a shamrock and the word ‘Leprechauns’. The penny dropped in humorous fashion later… Before it did, we were treated to a show of energy, conviction and commitment that belied the fact it was a - on paper - non-professional production. The Edinburgh Footlights is clearly blessed with talent, Amy Stinton (Director) excellently harnessing the many elements of a musical but leaving room for it to flourish. One wouldn’t have guessed some of these characters were studying things like Maths, Politics or Economics (despite the close relationship between politics and acting). A swift pre-show peruse of the programme read like the introduction to...

Murder, She Didn’t Write – Pleasance Courtyard

19Aug

By Kat CliffordNo Comments

Scotland

Murder, She Didn’t Write – Pleasance Courtyard

Murder, She Didn’t Write is a quick, funny and well presented production. In this improvised show no one, not even the cast, knows what journey they will end up taking the audience on. I was struck immediately by the quality and careful design of the set, and I very much enjoyed that even as the audience were filing into the room we had our detective working on his notes and a pianist playing us in, it really set the scene and put you in right frame of mind for a murder mystery extravaganza. The show kicks off with some audience participation as one of the audience is chosen to help the detective in the investigation. The setting and the mystery are then set by the audience. The detective, played by Stephen Clements, had some great quips and jokes right off the bat, building up the ...

Room – A Room of One’s Own – Pleasance Courtyard

19Aug

By Anna ChiariNo Comments

Scotland

Room – A Room of One’s Own – Pleasance Courtyard

Room- A Room of One’s Own, written and performed by Heather Alexander, is a refined, intimate, and literary pleasure. A room for the soul, where one can meditate, reflect on contemporary reality, be enchanted by the beauty of prosody, and let oneself go with hope, not only in the future but also in an illustrious past that still lives within us. Everything, from the scenography to Dominique Gerrard's direction, is impeccable. With just a few props, Alexander moves around the stage in a monologue, almost a stream-of-consciousness, transporting the spectator to a very precise era, a very precise environment, and a very precise mind. We are in the early 1900s in the room, or instead at the desk, of Virginia Woolf, the author of One Room of One's Own, and the words, the reflections, and th...

Matt Forde: Clowns To The Left Of Me, Jokers To The Right – Pleasance Courtyard

16Aug

By Roger JacobsNo Comments

Scotland

Matt Forde: Clowns To The Left Of Me, Jokers To The Right – Pleasance Courtyard

This is NOT what The Fringe is about. This was neither odd, unpredictable, nor strange or thought-provoking. This was bold, polished, glossy, mainstream entertainment featuring an already established star. Big venue, big star, big prices, this was not the ‘fringe’ of anything. If you want to talk haircuts this was the City Worker’s £120 bespoke side-parting or the Sunday League Footballer’s Peaky Blinder. If Mullets were still a thing it would’ve made more sense because Matt’s clearly a Viz fan. Thank heavens for the Laughing Horse and PBH’s Free Fringe et al for it’s via these channels that all the whacky, shambolic, disturbing, unsettling, inspiring delights still slip through, it’s where the fascination associated with the Fringe can still be found in 2022. Polemic over. Matt Fo...

14Aug

By Anna ChiariNo Comments

Scotland

Pauline – Pleasance Courtyard

Pauline is a pure example of storytelling where the words, voices and testimonies of three generations of women meet and confront each other in what turns out to be a moving and necessary memoir for all contemporary women. An all-female story, with a strong feminist character that always remains intimate and never aggressive. A veritable exposé of human nature, of what it means to be a woman, of weaknesses, insecurities, sins even, and of the great moral strength that such a gender role seems to bring with it, the play lays bare three characters, three women who are different but bound together by blood and art, by a love of storytelling and telling. An excavation in the memory of the actress, alone and unique in this one-woman show, who seems to want to cling with all her might to what s...

Fiji – Pleasance Upstairs at the Pleasance Courtyard

14Aug

By Caroline WorswickNo Comments

Scotland

Fiji – Pleasance Upstairs at the Pleasance Courtyard

After reading the press release, this is one of those plays that you walk-in to the theatre, not knowing what to expect. Co-written by Eddie Loodmer-Elliott, Pedro Leandro and Evan Lordan, the inspiration of the play (scarily), came from real-life events. Omnibus Theatre have joined forces with Clay Party and Conflicted Theatre to produce an alarming, disturbing play that revolves around the theme of cannibalism. For most of us, (hopefully), this will be a subject that does not feature in your daily life, and one wonders what inspired this delving into the culinary skills of a cannibal. The play begins with Sam (Sam Henderson) arriving at Nick’s place (Eddie Loodmer-Elliott) with his suitcase. Sam is nervous and it becomes clear that Sam and Nick have never met before but have chatt...

Charlie Russell Aims to Please – Pleasance Courtyard

13Aug

By Oliver GigginsNo Comments

Scotland

Charlie Russell Aims to Please – Pleasance Courtyard

Charlie Russell wants to create a show that will please absolutely everyone by trying to hit as many solo Fringe show tropes and styles as possible within an hour, based on what her audience likes the most. Though as a person/character Russell might just be trying to please an audience, as a show concept this is a quite challenge to them. You might know going in a comedy show is supposed to make you laugh, but it's something else for a performer to point out that's what they're trying to do, tell you they've failed if you haven't and give you a second and more controllable way of giving or with-holding approval: it's a gauntlet that more mischievous or combative audience members might take some convincing to just put back on your hand. Or maybe that's just her being a more positive (in...