Boys From the Blackstuff – Liverpool’s Royal Court
After its sell out run last Autumn and news of a transfer to the National Theatre, this production remains keenly awaited. The industrial, bare-boned set frames a strong start. Punchy, witty and clear are the performances, with a sense of foreboding about what’s to come.
That ever-present feeling of foreboding is what keeps this play alive. Other than the everyday feel, the unassuming personalities on stage and the important subject matter, this play survives, just, on likeability of characters. As someone not originally from Liverpool, especially not in the mid-80s, I fear that presenting to a non-scouse audience, this production would not hit emotional beats as strongly when those watching do not necessarily understand the realities of this quintessentially scouse story of struggle.
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