Friday, December 5

Tag: Patter House

Living on the Moon – Gilded Balloon
Scotland

Living on the Moon – Gilded Balloon

“After experiencing her mother's demise from Alzheimer's, writer-performer Molly McFadden learns how to face the truth and let go in this poignant, yet humorous one-woman show told with music, puppetry and love” The promotional material captures the ambition of this project and I was keen to see how these ideas would translate to a show. I wasn’t disappointed. Molly McFadden is an accomplished performer with a presence. As soon as she enters the room, she engages her audience, sharing a story of her early experiences in the cabaret circuit, complete with belting show tunes and toe tapping rhythm. As her tale continues, something appears to be troubling her when she struggles to remember the words to ‘Fly me to the Moon’. From her first subtle introduction of the concept of memory...
Float – Gilded Balloon Patter House, Other Yin
Scotland

Float – Gilded Balloon Patter House, Other Yin

Intelligently immersive and creative from the opening, Float landed into Gilded Balloon’s Patter House but there is certainly nothing alien about this production - it is unbelievably human and full of heart. Co-directed by Cora Bissett and Niloo-Far Khan, created and performed by Indra Wilson, Float explores pregnancy loss and its lasting effect through the metaphor of space travel. With delightful use of props, set, colour and sound, Float is sure to have audiences laughing at one moment and crying the next. In this autobiographical play, Indra Wilson, who plays a version of themself, dreams of becoming an astronaut. When their dream comes true, their life skyrockets to infinity and beyond. Wilson’s entire stage presence is electrifying, carrying the entire show themself is no mean...
Midnight at the Palace – Guilded Balloon, Patter House
Scotland

Midnight at the Palace – Guilded Balloon, Patter House

My first show of the gauntlet, the scrum, the gladiatorial fight to the death that is the Edinburgh Fringe, kicks off with a world Premier, Midnight at the Palace. An energetic and at times engaging musical, a reimagining of the true story of The Cockettes, a posse of counter-culture glitter-bearded drag queens who took San Francisco by storm in the sixties. Rallying against discrimination at home and unwanted wars overseas, writers Brandon James Gwinnett and Rae Binstock set words to the flower power revolution powered by drugs and free love that drove The Cockettes all the way to the big apple where it all came to a messy end in the early seventies. The talented 8-strong cast from across the pond provide plenty to see and hear, with excellent live keyboard accompaniment, and some ...