Park Theatre Archives - Page 3 of 5

27Aug

By Stewart Who?No Comments

London

Candy – Park Theatre

Candy is the story of a bloke who falls in love with the drag alter ego of one of his school mates. Knowing the premise, I expected a knockabout comedy with a few torch songs and a dazzling turn from a wig-wearing man in stilettos. Drag Race meets La Cage Au Folles. It’s not that. At all. Essentially, it’s a skilfully performed monologue from Michael Waller as Will, who reflects on his life and this unlikely assault on his heart. It’s a testament to Waller’s performance that he manages to paint a vivid, emotional picture which is often quite moving, but more importantly, utterly believable. Waller is so committed to the performance that the audience can’t help but feel his pain and empathise with his predicament. Many drag performers would love to catch the eye of their straight mate...

16Aug

By Paul AckroydNo Comments

London

The Garden of Words – Park Theatre

This an unusual production to be performed in the United Kingdom being a stage adaptation of the Japanese Anime film of the same name by Makoto Shinkai. It tells the story of seven people, all seeking happiness in relationships but having to confront the realities of life in an urban environment which makes such connections difficult. True to its animation origins it adopts a symbolic rather than realistic staging. It is performed on a largely bare stage with a raised platform at the back and only a few white blocks which the cast efficiently moved around provide the necessary set for the various scenes. At the back of the playing area of was a skeletal tree and a projection surface onto which beautiful images of Japan were played, including from time to time quotations in b...

15Jul

By Zoё MeeresNo Comments

London

Disruption – Park Theatre

Artificial Intelligence is having a moment. From ChatGPT and now a Google rival, ‘Bard’, to journalists calmly asking robots with near-human faces if they’re planning a rebellion against us, Andrew Stein’s cautionary tale about AI feels perfectly timed. The stage is set for a reunion dinner. Tech entrepreneur Nick is in town, buoyant from his latest business sale and has arranged to meet up with some old friends; three thirty-something couples who are grappling with the kind of first world problems that plague the middle classes like private school fees, whether to buy a bigger house, which exotic destination would be preferable for a holiday and so on. Enter Nick’s mysterious (unblinking) partner, Raven – together, they have a proposition that could solve all of Nick’s friends’ ...

11Jul

By Caroline WorswickNo Comments

London

Bones – Park Theatre

Rugby – a physically tough sport, with broken bones, but there is also a camaraderie around playing a team sport that creates a supportive network, all pulling together for ‘the Club.’ The players physical toughness belies the mental wranglings that go on with any team sportsperson before a match – will I be good enough today; I hope that I do not let the team down! Written by Lewis Aaron Wood, Bones delves into the mental health of the rugby player, in particular Ed (Ronan Cullen). Ed is used to being in the thick of the action, in the scrum, fighting for the ball, taking the knocks, beavering away in the background to help his team on to victory. His closest friends Charlie (Samuel Hoult) and Will (Ainsley Fannen) play for the same team, and the play begins with thei...

31May

By Zoё MeeresNo Comments

London

The Shape of Things – Park Theatre

My first introduction to playwright Neil LaBute’s work was Fat Pig, which premiered in London in 2008 and depicts the story of a shallow man who works in a testosterone fuelled corporate environment and falls in love, to his shame, with a plus-sized woman. There are definite parallels to be drawn between the two plays, which both feature two male and two female characters and centre around relationships, appearances and challenging ideologies and examine how far we will – or won’t – go for love. The play opens with the meet cute of Evelyn (Amber Anderson), a confident, headstrong art student and Adam (Luke Newton), a meek rather geeky English student in the art gallery where Adam works part time. As they begin dating, we see early indications of Adam’s Grease-style glow up, as directed ...

19Apr

By Stewart Who?No Comments

London

Snowflakes – Park Theatre

What is the logical end game of ‘cancel culture’ and digital pile-ons? In many ways, the ongoing culture wars indicate that society has barely moved on from villagers with pitchforks and crowds of cheering peasants at public executions. We might not be buying rocks to stone the condemned, instead, we’re doing it with clicks and retweets. Robert Boulton’s Snowflakes tackles this unsightly quirk of human nature with a dark satire that is gripping, provocative and grimly entertaining. Dissident Theatre’s first production has elements of Sartre’s No Exit coursing through its veins. Three characters are holed up in a room together and the audience are invited to relish their discomforts and work out what brought them together in this way. ‘Hell is other people,’ the infamous quote from Jean-...

25Mar

By Dave SmithNo Comments

London

Leaving Vietnam – Park Theatre

On a career break in my late 20s, I spent a few months in Southeast Asia. I followed the well-trod backpacker's routes to the standard tourist sites and the occasional pub. These days most of us know the Vietnam War through pop culture like Robin Williams wishing us good morning or Marlon Brando telling of terrors. When I went to Vietnam, all I really knew was from pop culture. One of the first things I did was visit the Vietnam Military History Museum and I will never forget the moment the guide pointed out to me that of course in Vietnam, they call it the “American War”. Leaving Vietnam is a monologue written and performed by Richard Vergette about an American Vietnam vet. Jimmy wasn’t drafted, he signed up to become a marine and spent a tour in Vietnam, in the jungle, interrogating v...

21Feb

By Zoё MeeresNo Comments

London

The Beach House – Park Theatre

Arriving at the theatre last night to find an almost full choice of unreserved seats I instantly regretted tucking myself into a corner and wondered if I’d get the most out of the four-sided stage. I needn’t have worried, though; and was heartened to see that Director Bethany Pitts’s biography includes Jules and Juniper, which was my North West End UK pick of 2022. The Beach House was reminiscent of this in terms of the fluidity and the smoothness of movement – fitting for a play set by the sea. The performers make full use of a tight space and are in almost constant motion – physically and maybe emotionally too. This is complemented by the gentle use of lighting which perfectly moves the action through time, from a dawn interrupted by a crying new born to New Year’s Eve fireworks. &nbs...

<strong>First major revival in 20 years of Neil Labute’s The Shape of Things</strong>

24Jan

By Paul DownhamNo Comments

NEWS

First major revival in 20 years of Neil Labute’s The Shape of Things

Trish Wadley Productions, in association with Park Theatre, today announce a major revival of Neil LaBute’s acclaimed play The Shape of Things in Park200. Nicky Allpress directs, with set and costume design by Peter Butler. Casting is to be announced. The production opens on 30 May, with previews from 24th May, and runs until 1st July. From the producers of Clybourne Park, this will be the first major revival of The Shape of Things since 2004 – a dark comedy about the drama of human relationships and the nature of love and art. How far would you go for love? For art? What would you be willing to change? What price might you pay? Adam, a geeky young student, works part-time in an art museum and video store to pay his way through college. When he meets post-grad art student Evelyn, his...

<strong>The Elephant Song – Park Theatre</strong>

24Jan

By Riana HowarthNo Comments

London

The Elephant Song – Park Theatre

When a psychiatrist misses work unexpectedly the head of the hospital, Doctor Greenberg (Jon Osbaldeston) covers for him. One of the patients, Michael (Gwithian Evans) claims to know Doctor Lawrence’s whereabouts but will only cooperate if he gets something in return. Nicolas Billon’s cleverly plotted script teems with intrigue, as two mysteries unravel throughout the play; Doctor Lawrence’s disappearance and Michael’s past related to his peculiar obsession with elephants. As he saunters in singing with abandon, we hear him before we see him, which already establishes the notion of prejudice in the play. Evans’ portrayal of Michael is immaculate, from his jerky movements to the playful yet calculating gaze. His sharp delivery indicates a disregard for social norms and Evans gives us a s...