Thursday, April 2

Tag: Opera North

The Marriage of Figaro – Hull New Theatre
Yorkshire & Humber

The Marriage of Figaro – Hull New Theatre

As is the norm when the opera or ballet come to town, Hull’s theatregoers set out in force to support the event. And Thursday evening was no exception when Opera North’s production of The Marriage of Figaro, graced the Hull New Theatre stage. Mozart’s well-known opera, premiering in Vienna in 1786 and conducted by the great composer himself, has been cleverly modernised by Opera North - meaning all the action takes place in a “modern-day crumbling pile of an English country estate”. This update led to many amusing scenes one wouldn’t associate with 18th-century life - namely mobile phones throughout, while the visiting, country house public, led by a tour guide, revealed at least one selfie stick. And the most notable change came with the costumes - everyone wore modern clothin...
Opera North: Peter Grimes – The Lowry
North West

Opera North: Peter Grimes – The Lowry

In the week Timothée Chalamet made his ill-advised claim that “no one cares about ballet and opera anymore”, the 1,700 people gathered at the Lyric Theatre in Salford to watch Opera North’s revival of Benjamin Britten’s Peter Grimes would strongly disagree. Chalamet might revise his opinion were he ever to see this production. Karolina Sofulak’s revival of the 2006 original presents Britten’s music in all its brooding glory while sharply revealing the paranoia and groupthink at the heart of the story. The opera begins in silence. Peter Grimes (John Findon) stands in the dock before an inquest into the death of his young apprentice, William Spode. The townspeople of The Borough are deeply suspicious of Grimes, a loner and outcast in their close-knit and introspective society. His acquitt...
The Marriage of Figaro – The Lowry
North West

The Marriage of Figaro – The Lowry

Opera North’s 2026 production of The Marriage of Figaro proves that a thoughtful modernisation can illuminate a classic without dimming its original sparkle. Rather than forcing Wolfgang Amadeus Mozart and Lorenzo Da Ponte’s comedy into a contemporary mould, this staging updates the setting with a light touch, trusting the intelligence of the audience and the resilience of the material. The result feels both fresh and recognisable. Often cited among the greatest operas ever written, the story unfolds over the chaotic wedding day of Figaro, valet to Count Almaviva, and his beloved Susannah, maid to the Countess. Their hopes of marital bliss are threatened by the Count’s relentless pursuit of Susannah and by the arrival of a housekeeper armed with a contract demanding marriage from Figaro...
The Marriage of Figaro – Leeds Grand
Yorkshire & Humber

The Marriage of Figaro – Leeds Grand

Opera North’s new production of The Marriage of Figaro begins with a quietly touching prologue: during the overture, we’re shown the early romance between the Count and Countess, blooming with promise before gradually cooling. The changing of flowers marks the passing seasons, and alongside this gentle unravelling we see the spark between Figaro and Susanna — their relationship building towards engagement. It’s a deft and atmospheric device, grounding Mozart’s whirlwind comedy in a world shaped by real emotional weather. Louisa Muller’s staging relocates the action to a contemporary country house — not aristocratic in the Downton sense, but a slightly frayed estate populated by tour guides, cleaners, gardeners, and other staff. In this world, hierarchy isn’t defined by powdered wigs but...
La Bohème – The Lowry
North West

La Bohème – The Lowry

Phyllida Lord’s classic production, designed by Anthony Ward, is one of the longest running at Opera North having been in their repertoire since 1993. James Hurley’s current revival is big on the comedy but sadly fails to hit the high notes that this staple of the operatic calendar deserves. With the action transposed to late 1950’s Paris, we meet four struggling bohemians living in a garret: a poet, Rodolfo (Anthony Ciaramitaro); a painter, Marcello (Yurly Yurchuk); a philosopher, Colline (Han Kim); and a musician, Schaunard (Seán Boylan), who arrives having had some good fortune and they agree to celebrate by dining at Café Momus. They are interrupted by their landlord, Benoît (Jeremy Peaker), but cleverly trick him into revealing he has been playing around which allows them to throw ...
Opera North & Phoenix Dance Theatre: Susanna – Leeds Grand Theatre
Yorkshire & Humber

Opera North & Phoenix Dance Theatre: Susanna – Leeds Grand Theatre

On a night when Storm Amy lashed Leeds with wind and rain, Opera North’s Susanna offered a different kind of tempest — one of moral reckoning, emotional intensity, and artistic boldness. Handel’s oratorio, reimagined through opera and dance, became a mirror for society’s treatment of women, power, and truth. The audience, braving the elements, were rewarded with a production as courageous in its staging as it was timely in its themes. Susanna belongs to a genre born of necessity and ingenuity. During Lent, staged operas were forbidden in 18th-century England, prompting Handel — ever the commercial opportunist — to pivot to oratorios. Though unstaged, these works were operas in all but name: dramatic, character-driven, and rich in musical storytelling. Susanna (1749) is a prime example, ...
Simon Boccanegra – Royal Liverpool Philharmonic
North West

Simon Boccanegra – Royal Liverpool Philharmonic

Director PJ Harris’ dramatic concert staging of Verdi’s 1881 version of Simon Boccanegra for Opera North is an absolute joy, a true sensory delight for the ear and eye. A Prologue establishes that Boccanegra (Roland Wood), a plebeian, is about to become the first elected Doge of Genoa. But he loves – and has secretly had a child with – Maria, the daughter of his political rival and sworn enemy, Jacopo Fiesco (Vazgen Gazaryan), a patrician. When Maria dies, the baby disappears. Fast forward 25 years and Fiasco is in hiding under the alias Andrea Grimaldi and plotting his revenge against Boccanegra who is still in power. He has become guardian to an orphan girl named Amelia (Sara Cortolezzis) who it later transpires is his missing granddaughter. She wants to marry Gabriele Adorno (Andr...
The Magic Flute – Hull New Theatre
Yorkshire & Humber

The Magic Flute – Hull New Theatre

As I made my way to the VIP entrance (a welcome reviewers’ perk) at the Hull New Theatre on Thursday evening, I had to navigate my way through throngs of queuing theatregoers. Opera lovers abound in the former City of Culture, and they were certainly out in force when Opera North’s production of The Magic Flute came to town. Mozart composed the music for this fairytale-type opera that premiered on September 30, 1791- just two months before his death. Originally penned by Emanuel Schikaneder, Opera North’s version was written by British theatre director, composer and lyricist, Jeremy Sams. Directed by James Brining and performed in the English language, the opening scene showed a young girl in her bedroom while, next door, drunken grown-ups, in evening wear, partied. The youngst...
Opera North’s The Flying Dutchman – Leeds Grand Theatre
Yorkshire & Humber

Opera North’s The Flying Dutchman – Leeds Grand Theatre

The Flying Dutchman, often regarded as Wagner’s first true Gesamtkunstwerk (total artwork), has a somewhat problematic yet refreshingly straightforward narrative – at least compared to most operas.  There are no mistaken identities, hidden family ties, or scheming servants – just a simple, if slightly absurd, tale of love, obsession, and redemption.  Oh, and death.  Mustn’t forget the death. A sea captain, Daland, encounters the cursed Flying Dutchman, doomed to sail forever unless he finds true love.  Offered treasure, Daland promises his daughter, Senta, in marriage.  (What is she, some sort of chattel?)  Senta, previously obsessed with the Dutchman’s legend and oft to be seen worshipping his picture, eagerly accepts.  After their union, her former l...
Opera North: The Magic Flute – Lowry
North West

Opera North: The Magic Flute – Lowry

Opera North’s English Version of Mozart’s two-act opera hints at the fantasy but lacks the magic necessary for the classic fairy tale rescue of a princess by a handsome prince. Tamino (Egor Zhuravskii), a young prince, is being pursued by a terrible dragon and in his attempt to escape he passes out and is unknowingly saved by three mysterious Ladies (Charlie Drummond; Katie Sharpe; Hazel Croft). As they depart to alert the Queen of the Night (Naomi Quant) to his presence, Tamino regains consciousness only to meet another strange figure, that of Papageno (Emyr Wyn Jones), the bird catcher, who also works for the Queen, and deceitfully claims to have defeated the monster. He is punished when the three Ladies return by having his tongue sealed with a magic spell. Tamino is presented with a...