Thursday, November 21

Tag: Opera North

Opera North: The Magic Flute – Lowry
North West

Opera North: The Magic Flute – Lowry

Opera North’s English Version of Mozart’s two-act opera hints at the fantasy but lacks the magic necessary for the classic fairy tale rescue of a princess by a handsome prince. Tamino (Egor Zhuravskii), a young prince, is being pursued by a terrible dragon and in his attempt to escape he passes out and is unknowingly saved by three mysterious Ladies (Charlie Drummond; Katie Sharpe; Hazel Croft). As they depart to alert the Queen of the Night (Naomi Quant) to his presence, Tamino regains consciousness only to meet another strange figure, that of Papageno (Emyr Wyn Jones), the bird catcher, who also works for the Queen, and deceitfully claims to have defeated the monster. He is punished when the three Ladies return by having his tongue sealed with a magic spell. Tamino is presented with a...
Opera North: Ruddigore – Lowry
North West

Opera North: Ruddigore – Lowry

Jo Davies’ 2010 production of Gilbert and Sullivan’s fast-paced comic opera is dusted down for a well-deserved airing by Revival Director James Hurley, with the action reset in the 1920’s and the era of silent movies proving the perfect setting for moustachioed villains and cloak-swirling, whilst not missing out on some updated lines to have a dig at prime ministers old and new: now, whose name might rhyme with lettuce… Rose Maybud (Amy Freston) is an innocent village girl who lives her life by a book of etiquette which only serves to hinder any burgeoning relationship with tongue-tied suitor Robin Oakapple (Dominic Sedgwick), much to the disappointment of the village’s professional bridesmaids (Chorus of Opera North led by Gillene Butterfield). Robin ropes in his foster brother,...
A Midsummer Night’s Dream – Leeds Grand
Yorkshire & Humber

A Midsummer Night’s Dream – Leeds Grand

The journey to Leeds across the M62 saw far from midsummer weather – gusting winds, driving rain, whirling leaves – but once inside the Grand Theatre and Opera House a much warmer welcome awaited. Opera North’s revival of Martin Duncan’s production is directed this time by Matthew Eberhardt.  Johan Engels’ set is minimalist but very effective – translucent Perspex pillars signify the trees of the forest, whilst the canopy (or are they dream bubbles?) float high above the stage.  These pillars then take the colour of Bruno Poet’s subtle lighting design, which contrasts beautifully with the 1960s-flower-power-style outfits of the lovers, Helena and Demitrius, Hermia and Lysander. And setting this production in the swinging sixties, when the work was first performed, with its ...
Opera North’s The Magic Flute – Leeds Grand Theatre
Yorkshire & Humber

Opera North’s The Magic Flute – Leeds Grand Theatre

Opera North’s Magic Flute, reviving James Brining’s 2019 production of Mozart’s final opera, comes with literally all of the bells and whistles.  (Well, magic bells and the eponymous magic flute, together with an ever-so-slightly-irritatingly out-of-tune set of pipes.)  And, being sung in English in Jeremy Sams’s excellent translation, it’s also an ideal introduction to opera for newbies, as well as a season-opening treat for those notsos. A pre-show message from company Music Director Garry Walker proudly reminded us that Opera North delivers learning and engagement to no fewer than 3,000 school children per week, and has a full time chorus, orchestra and technical crew.  A not so subtle message for the CEO of Arts Council England, in tonight’s audience, perhaps. The ...
My Fair Lady – Leeds Playhouse
Yorkshire & Humber

My Fair Lady – Leeds Playhouse

For many My Fair Lady is the ultimate big screen version of a musical, but famously the vocals of one of the leading actors was overdubbed and the other talked his way through the whole thing. This Leeds Playhouse co-production with Opera North offers a return to the original hit musical that featured a young Julie Andrews, and here both leads are great singers who do full justice to Alan Jay Lerner and Frederick Loewe’s classic score packed with showstoppers. My Fair Lady is based on George Bernard Shaw’s Pygmalion that took its inspiration from a Greek myth where a sculptor fell in love with one of his creations. Lerner’s book turns it into a fable where an arrogant phonetician Henry Higgins takes on a bet he can turn any woman into a lady, so he plucks Cockney flower seller Eliza ...
Opera North: Così Fan Tutte – Hull New Theatre
Yorkshire & Humber

Opera North: Così Fan Tutte – Hull New Theatre

Theatre lovers enjoyed more than three hours of a most delightful opera on Thursday night, as Opera North brought its production of Così Fan Tutte to the Hull New Theatre. I say delightful because, unlike others I have seen, I found this very easy to understand from the get go, though it helped that it was sung in English. The title translates as “they’re all the same”, describing professor Don Alfonso’s take on all women. Dutch baritone Quirijn de Lang played the professor with the right amount of menace, cunning and gravitas, as well as more than a hint of mischief. The professor is the cause of all the shenanigans on the night, betting two lovestruck young men that their faithful amours would cheat on them, because in his mind women are “all the same”. He challenges the t...
Opera North: Cosi fan tutte – The Lowry
North West

Opera North: Cosi fan tutte – The Lowry

As the programme notes, Mozart is one of those rare creative beings who comes to disturb the sleep of the world., and certainly mischief and misunderstandings are everywhere in this revived adaptation in English of Mozart’s famous two-act comic opera, and on the whole this good-humoured production from Director Tim Albery does not disappoint. The story begins with an old cynic and philosopher, Don Alfonso (Quirijn de Lang), betting two young soldiers, Ferrando (Anthony Gregory) and Guglielmo (Henry Neill), that their respective fiancées, sisters Dorabella (Heather Lowe) and Fiordiligi (Alexandra Lowe) will not stay faithful if put to the test. The two young men accept the bet and pretend to depart for the front line whilst secretly returning in disguise and under the direction of Don Al...
Opera North: Cavalleria rusticana / Aleko –The Lowry
North West

Opera North: Cavalleria rusticana / Aleko –The Lowry

Mascagni’s Cavalleria rusticana is usually paired with Leoncavallo’s Pagliacci but director Karolina Sofulak has made an inspired choice to pair it with Rachmaninov’s rarely heard Aleko with some subtle and intricate linking of the two pieces which by and large comes off. In Cavalleria rusticana, it transpires that Turiddù (Andrés Presno) and Lola (Helen Évora) were once lovers, but when he left to join the army, Lola married another man, Alfio (Robert Hayward). Although Turridù finds consolation in the arms of Santuzza (Giselle Allen), his obsessive passion for Lola still burns fiercely as he supports his mother Lucia (Anne-Marie Owens), setting the stage for a tale of faithlessness, jealousy and violence, set in a rural community where the church maintains an iron grip on the souls of...
Opera North: La rondine – The Lowry
North West

Opera North: La rondine – The Lowry

The curtains opens to 1920’s Paris in director James Hurley’s take on Puccini’s take of the La Traviata tale and with the backdrop of Leslie Travers rich and glamorous set, suitably illuminated by Paule Constable and Ben Pickersgill, we meet Magda (Galina Averina), the mistress of a wealthy banker, Rambaldo (Philip Smith), but when the poet Prunier (Elgan Llŷr Thomas) reads her palm and predicts that like la rondine – the swallow – she will travel south in her pursuit of happiness, the die is cast for what is to come. When she meets the young Ruggero (Sebastien Guèze), glamour soon turns to decadence as she follows him to the nightclub Bulliers where they fall in love and decide to run away to the south of France, and with Prunier equally smitten with Magda’s maid, Lisette (Claire Lees), t...
Opera North: Masque of Might – The Lowry
North West

Opera North: Masque of Might – The Lowry

Sir David Pountney’s exuberant production is billed as ‘eco-entertainment’ and it certainly takes re-purposing to a whole new level with its glorified collage of Purcell’s semi-operatic musical form of the 17th Century masque lyrically enhanced to explore a range of contemporary themes including the rise of strongman leaders and the devastation of climate change, and how these may be rightly overcome. By its very nature and whilst sung, the piece is narrative in form and whilst merging various disparate musical moods, by and large it holds together quite well with the assistance of side panel surtitles in English of an English libretto. Although its success can be very much attributed to the genius fusion of the original composer and the adapted libretto by its director, it is also unfo...