Oliver Giggins Archives - North West End UK

Press to Pulp (WIP) – Augustine United Church

27Jan

By Jessie MartinNo Comments

Scotland

Press to Pulp (WIP) – Augustine United Church

Edinburgh Rep Company kicks off the start of their ambitious 2026 programme with work-in-progress piece Press to Pulp. This noir inspired one act play sees cynical Detective Carmady (Stephen Park) wake up in his office - except this isn't his office... When Carmady's client Lady Broadame (Beth Eltringham) calls round, Carmady already knows every detail of her case and how to solve it - he has been here before. As the play progresses, we uncover three other detectives also stuck in this strange time warp, each thinking this office is their own, each thinking every client who walks through the door is an ex-case of theirs. It is up to them to solve this mystery in order to close the loop, with their main lead being the mysterious typewriter that has been keeping minutes, t...

[Un]lovable A Scratch Night Performance – St Augustines, George IV Bridge

[Un]lovable A Scratch Night Performance by Not so Nice! Theatre company is one hundred percent loveable. Each of the five scratch theatre pieces were deftly crafted: the writing was thoughtful and witty; set design simple yet apt; costumes spot on; lighting simple and the quality of acting perfectly matched the rigor of the black box. Performed in the basement of St Augustine’s, this young company is brimming with talent and has a keen following. Not subject to the delays and restrictions of bidding for a grant, Not So Nice! are free to play and create collaboratively and with vigor. Each of the five vignettes on love and the rejection of love were equally as entertaining and thought-provoking. The evening began with It’s Always a Sad Song by Will Evans. In this exploration of wants ...

The Shadow in the Dark – The Banshee Labyrinth, Edinburgh

Edith Nesbit is best known as a writer of children’s fiction, but alongside her classic novels such as The Railway Children, she explored a variety of genres, including horror. The Shadow in the Dark is comprised of spoken word adaptations of several such stories, told by a trio of actors. Edith (Rebecca Hale) sits at a wax cylinder machine, surrounded by candles. She speaks into the recording device, telling us of her memories of childhood, and of how she became afraid of the dark. Hale’s Edith speaks in the way I always imagined she would. In her crisp accent, she is soothing and deliberate. She gives the impression that she is telling a bedtime story, but the atmosphere is sinister. In The Mummies at Bordeaux, she tells of a creepy childhood encounter in a charnel house, tha...