Friday, November 15

Tag: Norah Lopez Holden

Shed: Exploded View – Royal Exchange Theatre
North West

Shed: Exploded View – Royal Exchange Theatre

Back in 2019, in those halcyon pre pandemic days, Phoebe Eclair-Powell won the biannual Bruntwood Prize for Playwriting and with it the opportunity to develop ‘Shed: Exploded View’ for production at the Royal Exchange in Manchester. Now, after an enforced hiatus of nearly four years, we finally get to see the startling and thought provoking theatre she produced, a piece of writing that will both challenge and engage its audience. The play follows the lives of three couples over a thirty year period from the mid-nineties to the present day as they negotiate the vicissitudes of married life, from the early promise of new love to the dark reality of a relationship breakdown, all the troughs and peaks are explored. We meet Frank (Jason Hughes) and Naomi (Lizzie Watts) in 1994, honeymooning ...
Hamlet – Young Vic
London

Hamlet – Young Vic

Cush Jumbo is the big draw in this production of Shakespeare’s classic play, whipping up a storm as the tempestuous Prince of Elsinore.  Cross gender, or gender blind, casting of this legendary protagonist is not a new fad, indeed the first ‘female’ Hamlet graced a London stage in 1796 - when Elizabeth Powell took on the role.  There is also a 12th century Danish legend that states that he was in fact a she, and that Hamlet’s gender had been hidden by their mother to protect their claim to the throne. In Greg Hersov’s production Jumbo’s ‘unmanly grief’ is the undoing of Elsinore as Hersov’s edited text (which still runs at over three hours) aims for a mystery thriller flow to bring the piece alive for a contemporary audience.  At its most successful the performance is an absolut...
The Almighty Sometimes – Royal Exchange Theatre
North West

The Almighty Sometimes – Royal Exchange Theatre

Back in February 2018 the Royal Exchange Theatre showcased the world premiere of Kendall Feaver's The Almighty Sometimes. It had won the Judges Award at the 2015 Bruntwood Award for Playwriting and well deservedly. Anna is eighteen, working and lives at home with her mum, Renee. One night, after meeting him at a party, she brings home Oliver. At twenty-one he's a few years older but they had been at the same school and he had been taught by her mum. Anna likes and trusts him with her secret. She has been seeing a psychiatrist since she was 11 and is on a combination of medication to control her mental health issues. Although her illness is never named, through the play it becomes obvious how serious her mental illness is. But as Anna is beginning to embrace adulthood, she also begins qu...