Nora: A Doll’s House – Royal Exchange Theatre
Even though he resembled everyone's idea of a Victorian gentleman, Ibsen's radical 1879 study of a woman's place in a patriarchal, middle class Norwegian society, is often cited as a crucial accelerant to the nascent female emancipation movement at the end of the 19th century. It is therefore fitting that in the week we celebrate International Women's Day, that writer Stef Smith has adapted it to ' Nora: A Doll's House', examining how one of the most famous characters in theatre would have fared in three different time periods. The result is complex, confusing and frustrating in equal measure.
We meet Nora as three separate entities simultaneously on stage. Nora 1918 (Kirsty Rider) cuts a frustrated figure, married and caged at the end of World War One as the suffrage movement is reachi...