Nigel Lindsay Archives - North West End UK

26Aug

By Paul ClarkeNo Comments

Yorkshire & Humber

High Society – Leeds Grand Theatre

Well, Did You Evah hear a more peerless collection of classic showtunes as High Society? Fans of other musicals will no doubt quibble with that claim, but Cole Porter composed at least three timeless songs for this reworking of double Oscar winning, The Philadelphia Story, which was also a hit movie starring Grace Kelly, Bing Crosby and Ol’ Blue Eyes. This scrumptious production of High Society was hardly Shakespeare as spoilt New England socialite Tracy Lord was about to marry boring George, and her lovelorn ex-husband Dexter equally determined to get her back. Throw in a couple of undercover reporters, and a case of mistaken identity, and you had all the ingredients for a classic light hearted musical, but with wall to wall Porter masterpieces. One of the main criticisms o...

Emma – Rose Theatre

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. At least, Jane Austen’s Emma did. Ava Pickett’s Emma has got issues. Handsome and clever but decidedly not rich, her father is a crook, her sister is a crackpot, and her own disposition is anything but happy. This Essex-set adaptation of the literary classic opens at Oxford’s May Ball and is throughout infused with the vaguely sickeningly hedonistic energy of that messy melee. Blatantly dismissive of the traditional Regency aesthetic of horse-and-carriage romance, this production instead takes on the look and feel of a Piccadilly Circus rickshaw ca...

Kiss Me, Kate – Barbican

What rhymes with Coriolanus? Kiss Me, Kate is one of Cole Porter’s musical and lyrical triumphs with each melody seeming catchier than the last and every turn of phrase pushing the envelope further. Although its source material, Shakespeare’s Taming of the Shrew is hardly considered radical, Porter’s daring sense of humour and lecherous joy in lewd lyricism give this show an undeniable boldness. Its characters are imperfect. Not only are their love lives tempestuous, but every aspect of their personal lives is magnificently messy. Director Bartlett Sher in this production attempts some half-hearted tidying of the grand imbroglio that is this play within a musical within a musical but achieves much the same effect as using a dab of Purell to clean up mud-caked hands. Adrian Dunbar is ...