Wednesday, August 26

Tag: Nick Abeel

Kevin!!!!! – Forth at Pleasance Courtyard
Scotland

Kevin!!!!! – Forth at Pleasance Courtyard

Last year Recent Cutbacks gave me one of my picks of the Fringe. Fly, You Fools! was gloriously inventive, while Hold On To Your Butts proved equally adept at turning a much loved blockbuster into breathless, brilliantly silly theatre. So, I arrived at KEVIN!!!!! expecting another hit. Instead, they have given me Christmas in August. This Home Alone parody may be described as something wildly different from the company’s other Fringe offerings, but there is an irony here. KEVIN!!!!! was originally developed around ten years ago and, having seen what Recent Cutbacks have subsequently become, this feels less like progression and more like a retro step too far. The approach is predominantly puppet led, with handmade miniature s...
Fly, You Fools – Pleasance
Scotland

Fly, You Fools – Pleasance

One does not simply walk into the Pleasance, buy a ticket for Fly, You Fools! and watch a brilliant parody. Or do they? Well, yes, they probably do. Although, if you can arrange a giant eagle, that might be even quicker. Recent Cutbacks lovingly absurd retelling of The Fellowship of the Ring manages to cram an entire epic into a single, glorious, hour of physical comedy, shadow play, live Foley, and a flurry of blink and you miss them references. This is the sort of show that rewards a second viewing, there are so many visual and verbal easter eggs for Tolkien fans that you will spot new gags each time. The cast of three, Nick Abeel, Kyle Schaefer, and Regan Sims, handle an impossible number of roles with effortless dexterity. Gandalf, played full height while everyone else shuff...
Hold On To Your Butts – Arcola Theatre
London

Hold On To Your Butts – Arcola Theatre

Hold On To Your Butts, the frenetic, exceedingly clever work of New York-based company Recent Cutbacks, is exactly what it purports to be. Originating ten years ago with sold out performances in New York and recently transferring from the Edinburgh Fringe Festival, the show is (as far as I can tell, a completely faithful) shot-for-shot theatrical parody of Stephen Spielberg’s iconic tale of a dinosaur theme park that goes horribly wrong. But knowing that, and subsequently knowing the general plot (Arrival. Dinosaurs. Chaos Theory. Power Failure. Velociraptor Hijinks.) does nothing to capture the ingenuity and delight of this show.  From the very beginning, when one’s eyes fall on the rickety-sparse stage, awash in a thin fog and a deep, anticipatory green lighting (courtesy of desi...