Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Wednesday, March 26

Tag: Murielle Martinelli

Le Petit Chaperon Rouge – Coronet Theatre
London

Le Petit Chaperon Rouge – Coronet Theatre

Adapting a world-renowned children’s tale for the stage is never an easy task, for one must find a judicious balance between the source text’s reliance on the reader’s imagination and the multisensorial viewpoints afforded by live action. For French playwright and director Joël Pommerat, this isn’t a new challenge. His new interpretation of his 2006 play for children ‘Le Petit Chaperon Rouge’ (Little Red Riding Hood) premiered for UK audiences at the Coronet Theatre on 17th November 2021. This was the first in a trilogy of fairy tales that have been adapted by Pommerat for the stage, having previously directed ‘Pinnochio’ in 2008 and ‘Cendrillon’ (Cindrella) in 2011. With minimal stage design and measured performances by the ensemble of performers, Pommerat’s treatment brings forth a darke...