Miss Saigon Archives - North West End UK

The National Lottery’s Big Night of Musicals – AO Arena

27Jan

By Paul DownhamNo Comments

North West

The National Lottery’s Big Night of Musicals – AO Arena

For the 5th year running 12,000 people packed into the AO Arena to witness some of the best musicals from West End and touring companies. Hosted once again by Manchester’s own Jason Manford this was the biggest production to date. Opening with the unmistakeable The Lion King, and Circle of Life, the arena was transported to the African savanna, a stunning opening to a stunning treat for musical theatre fans. Ava Brennan followed with an emotional version of As Long As He Needs Me from the current West End revival of Oliver. This was followed by a powerful medley from Miss Saigon who had brought their entire touring cast to Manchester led by Seann Miley Moore, the Engineer whose performance of American Dream will live long in this reviewer’s memory soaring high above the stage. Tak...

22Jan

By Jackie FoottitNo Comments

Yorkshire & Humber

Miss Saigon – Hull New Theatre

The musical, Miss Saigon, has been watched by over 33 million worldwide. You can add probably a few more thousand on to that figure, if Wednesday night's attendance of the show at Hull's New Theatre is anything to go by. The place was packed. Miss Saigon is in the city as part of a major UK and Ireland tour and relates to events during the last days of the Vietnam War, in 1975, exactly 50 years ago. As soon as the opening stage screen, depicting a huge sacred bird, rose, it was non-stop drama all the way. Many theatre productions now have glorious video backdrops which, brilliantly, showcase much of the story that there would be no time to explain in words. And this production was no different with opening images of bombing, fighter aircraft et al showing us the horrors of w...

4Dec

By Paul ClarkeNo Comments

Yorkshire & Humber

Miss Saigon – Leeds Grand

When I was a student in London I saw all the big musicals, but for some reason I missed Miss Saigon which was smashing box office records at the time. Thankfully legendary impresario Cameron Mackintosh and Michael Harrison have joined forces to bring this sung through musical about the Vietnam war back on the road, exactly 50 years after that bloody conflict ended. Given the perilous state of the world reviving a musical based on Puccini’s Madame Butterfly about the cost of war is really timely. Like most musicals the narrative is driven by a love story, but the tale of GI Chris falling in love with a seventeen-year-old bargirl Kim being exploited by an odious pimp The Engineer in war torn Saigon is far, far gritter than most musicals. Years later Chris finds out his lost love has ha...

14Nov

By Katie LeicesterNo Comments

North West

Miss Saigon – Palace Theatre

The 2025 tour of Miss Saigon has descended upon Manchester’s Palace Theatre, a moment I approached with a mixture of excitement and nerves. This musical is, without question, my unrivalled favourite of all time. Having seen it over 50 times, I know the script, staging, and emotional landscape inside out. So, would this new version soar like a phoenix… or fall short? Miss Saigon follows Kim, a young Vietnamese girl forced to work in a Saigon bar after losing her family. There she meets Chris, an American soldier, and over one night their lives become bound by a powerful, unexpected love. When Saigon falls, Chris is airlifted out in the chaos, unaware that Kim has survived and is now raising their son, Tam. Determined to protect her child at any cost, Kim endures years of hardship while C...

14Jul

By Tracey BellNo Comments

Yorkshire & Humber

Miss Saigon – Crucible Theatre

Billed as Sheffield Theatre’s new production of Boublil and Schonberg’s Miss Saigon, this production marks my 40th visit to see this show. My first being back at Drury Lane in late 1989, and I have also been lucky enough to direct the show back in 2018, therefore, I would consider myself to be a bit of a connoisseur. Yes, I am aware of the political issues that surround it, I am aware that creating a new production was met with anger from some, but I am also aware that highlighting issues allows the audience to formulate their own responses … our history is relevant to our future. I have given myself a length of time to digest what I saw last night before reviewing this production. It is new, it is different, it is edgier, starker, less self-indulgent in its direction and more invested ...