Friday, November 22

Tag: Michael Strassen

What (is) a Woman – Arcola Theatre
London

What (is) a Woman – Arcola Theatre

Set across four decades, the one-woman play tells the one woman’s story of sex, love and identity as she matures from schoolgirl to woman. From critically acclaimed West End and TV actress Andrée Bernard, best known for her roles in Holby City, Hollyoaks and Kiss Me, Kate, the piece is written, composed and performed by Andree herself, directed by Michael Strassen and asks the question of what it means to be a woman of the Modern Age.  Bernard expertly commands the stage from start to finish, the audience were enthralled as she encapsulates the various characters in the story, from wide-eyed university student to an overbearing Drama teacher, she does a brilliant job of quickly adopting these characters, showing her versatility. Bernard playing her character’s sho...
Passion – Hope Mill Theatre
North West

Passion – Hope Mill Theatre

‘Die, Fosca! Die’ was the call from the auditorium in response to the first production of Stephen Sondheim’s ‘Passion’ in May 1994. Theatre trolling alive and well before the internet even existed. Who would have known?  No such reaction from the audience gathered in a packed Hope Mill Theatre this evening I can assure you, but I will come back to that… Based on Tarchetti’s 1869 novel Fosca, Passion is one of the few projects that Stephen Sondheim himself conceived. When it first opened on Broadway in May 1994 it was admired by critics but not by audiences who were utterly repelled by the character of Fosca, the woman with whom Giorgio eventually falls in love. Unattractive, manipulative, obsessive, relentless in her pursuit of this younger man, audiences refused to believe that th...
Passion starring Ruthie Henshall to play 4-week run at Hope Mill Theatre, Manchester
NEWS

Passion starring Ruthie Henshall to play 4-week run at Hope Mill Theatre, Manchester

Full casting is now announced for Stephen Sondheim/James Lapine’s Passion this May: Dean John-Wilson (Steven Spielberg’s Masters of Air, Apple TV; Aladdin) will play Giorgio, the man who finds himself at the heart of a passionate love affair, alongside Olivier nominated Kelly Price (What’s New Pussycat?, Birmingham REP; A Little Night Music, Menier Chocolate Factory and Garrick Theatre) as Clara. The cast is completed by Adam Robert Lewis (The Phantom of the Opera, Her Majesty’s Theatre), Charlie Waddell (South Pacific, Chichester Festival Theatre), Danny Whitehead (Wicked, UK tour), Dalton Harris (The X Factor), Ray Shell (Starlight Express, The Lion King), Steve Watts (As You Like It, Cheek by Jowl), and Tim Walton (Matilda the Musical, RSC). They join the Olivier Award winner and mus...
Funny Girls – New Wimbledon Theatre Studio
London

Funny Girls – New Wimbledon Theatre Studio

In his new play Funny Girls, English playwright Roy Smiles imagines a fictional encounter between two American pop culture icons, Barbra Streisand and Joan Rivers. From their first on-stage gig as co-actors in an off-Broadway show called ‘Driftwood’ (an event that actually happened in real life) to their run-in many years later at the height of their stardom, this two-hander play examines their friendship built on shared Jewish identities and insecurities about a life in show business, among other things. This production is created in collaboration with Ambassador Theatre Group’s Studio at New Wimbledon Theatre as part of their new Premieres Season, travelling Upstairs at The Gatehouse Theatre next month. Throwing a spotlight on their early lives and the decisions that influenced their car...
Godspell – Hope Mill Theatre Online
North West

Godspell – Hope Mill Theatre Online

Like the show itself, I’m going to wear my heart on my sleeve from the very beginning. I’m so glad I liked this production, because to dislike Godspell would be a very sad thing. Conceived and directed by Michael Strassen, if ever there was an illustration of how to make lemonade when life hands you lemons, this 50th anniversary production is it. The pandemic which makes this version necessary is incorporated into the piece and sits so comfortably, it could have always been there. Whereas on stage Godspell is very much an ensemble piece, of necessity in this presentation there is more focus on the songs and the performers. And what performers. The cream of west end stars are lined up for us. I doubt a live version would pull so many together and I doubt a live version would allow us ...