Faust – Royal Opera House
Everybody knows the tale of Faust although Gounod’s popular five-act, Parisian grand opera from 1859 is in fact adapted from Michel Carré’s play ‘Faust et Marguerite’ which was itself based on Part I of Goethe’s epic poem Faust. Very much reflective of the nature of Second-Empire Paris at that time, the obvious question is whether its themes remain relevant and recognisable to a 21st C audience.
Director David McVicar wisely recognised that human nature doesn’t really change and the issues of sensuality and hedonism, religion and morality, bourgeois consumption versus socialist redistribution, to name but a few at the heart of this opera, continue to go hand in hand, and his richly layered 2004 production for Royal Opera House brilliantly captured these through the artificial edifices o...