The Lion, The Witch and The Wardrobe – Festival Theatre
As someone who spent a good portion of their childhood half-convinced there might be a secret world hiding at the back of the wardrobe, this production was always going to land somewhere between nostalgia and reverence. And I’m pleased to say, it hit the mark beautifully.
Michael Fentiman’s production, adapted from Sally Cookson’s earlier version, is a rich, often dazzling journey into Narnia and one that balances spectacle and substance with real flair.
From the opening bars of We’ll Meet Again, underscoring the siblings’ evacuation from London, it’s clear this is not simply a children’s story. There’s grit in the frame, a proper wartime darkness that lends weight to the fantasy. It’s still magic – of course it is – but the stakes feel real.
The visual storytelling is a triumph. ...