Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Wednesday, April 2

Tag: Martin Yates

Swan Lake – Festival Theatre
Scotland

Swan Lake – Festival Theatre

David Dawson, who has created this new interpretation for Scottish Ballet, sees Swan Lake as the dance equivalent of the Mona Lisa’. This statement from the souvenir programme is one that stood out to me – it speaks to the monument of ballet that Swan Lake is. But unlike the Mona Lisa, it presents the advantage of being a form of art that is live, constantly in motion, with endless possibilities of reinterpretation. With the aim of creating a show for a modern audience, Dawson stripped back the layers of the story to reach its essence: passion and betrayed trust. There are no elaborate palace and lakeside decors, or costumes adorned with tutus. The costumes, designed by Yumiko Takeshima, are for simplicity, elegancy, and showing off the physicality of the dance. No Baron von Rothbart ei...