Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, March 16

Tag: Lytton Strachey

Village Wooing – Etcetera Theatre
London

Village Wooing – Etcetera Theatre

Produced as part of the Camden Fringe Festival, George Bernard Shaw's "Village Wooing" was written in 1933 while he was on a world cruise on the Empress of Britain. This two-hander in the form of three conversations has characters loosely based on people Shaw knew - writer Lytton Strachey and Jisbella Lyth, postmistress in Ayot St Lawrence, Hertfordshire, where he lived for most of his life. Shaw said of his play, "..my efforts to write resulted in nothing at first but a very trivial comedietta which only Edith Evans could make tolerable."  He was wrong. This is a mini gem of a play, very much of its time and a period delight. The unnamed characters, known only as "A" and "Z" meet on board a cruise liner, he a widowed writer and aesthete, struggling to find the words for his Marco ...