Lucy Carter Archives - North West End UK

Cruel Intentions The ‘90s Musical – Hull New Theatre

14May

By Jackie FoottitNo Comments

Yorkshire & Humber

Cruel Intentions The ‘90s Musical – Hull New Theatre

Although an avid movie-goer, the 1999 cinema release of Cruel Intentions, passed me by, so when the musical of the same name came to the Hull New Theatre, I had no clue of what to expect. The theatre was filled far from capacity on Tuesday evening, which was a shame, but those of us who did attend were in for a treat. The many trigger warnings in the press release hinted at themes that may upset some folk, and although “explicit sexual language and behaviour, racial discrimination and drug usage” did raise their ugly heads, I can honestly say they didn’t overshadow proceedings, meaning such events came and went and then we were on to the next scene. That’s not to minimise such gross deeds, but they were so cleverly interwoven as to seem unimportant, if that makes sense. Based o...

Cruel Intentions: The 90s Musical – Palace Theatre

26Mar

By Hannah WildeNo Comments

North West

Cruel Intentions: The 90s Musical – Palace Theatre

Having not seen the source material for this production - the 1999 hit teen film Cruel Intentions - I had limited understanding of what was in store for me with the theatrical production of Cruel Intentions: The 90s Musical. The stage adaptation had been met with a lukewarm critical response since its debut in 2015, and understandably so. It’s clear to see what the intention of this production was, but the execution left a lot to be desired. Let’s start with the storyline: the story follows vindictive stepsiblings Kathryn and Sebastian, who have somewhat of a Freudian infatuation with each other. This dangerous duo makes a cruel pact that Sebastian must seduce fellow classmate - the virginal Annette - which triggers a series of dark and dangerous events that foreshadows the rest of the ...

Cruel Intentions: The 90s Musical – New Wimbledon Theatre

27Feb

By Zain RussellNo Comments

London

Cruel Intentions: The 90s Musical – New Wimbledon Theatre

Cruel Intentions: The 90s Musical is a bold and exhilarating reimagining of the cult classic 1999 movie Cruel Intentions. Blending drama, comedy, and nostalgia, this production takes audiences on a thrilling ride through seduction, deception, and power plays, all set to an electrifying soundtrack of beloved 90s hits. Staying true to the original storyline, the show follows the cunning and manipulative duo of Sebastian Valmont (played by Will Callan) and Kathryn Merteuil (played by Lucy Carter) as they scheme their way through high school, using their charm, wit, and ruthlessness to control and destroy those around them. One of the standout aspects of this production is its use of music. Packed with some of the most iconic songs of the decade, the show transports the audience back in ...

13Dec

By Louise PennNo Comments

London

The Little Foxes – Young Vic

A rare revival for Lillian Hellman's play, set at the turn of the 20th century. With a title taken from the Bible's Song of Solomon, The Little Foxes is a family drama set in Alabama's cotton country. Regina, Ben and Oscar are siblings living closely together, a family who gained wealth and power when Oscar charmed and married Birdie, daughter of Southern aristocracy and rich plantation owners. They patronise their black servants and are driven by money. When Regina's husband Horace, sick and tired, fails o respond to a business deal, plans to gain the money with or without him. Lyndsey Turner’s production captures all the nastiness behind closed doors, particularly of the unsuccessful marriages at its heart. There are moments of both physical and emotional violence, and...

Pop Off, Michelangelo! – The Other Palace

5Nov

By Olivia CoxNo Comments

London

Pop Off, Michelangelo! – The Other Palace

If you asked me to describe my dream show, I’d probably tell you it would be a musical, with stupidly clever comedy, and plenty of niche pop culture references. Luckily for me, The Other Palace is serving up a shining example of this with Dylan MarcAurele’s Pop Off, Michelangelo!, directed by Joe McNeice. An unashamedly untrue retelling of how Renaissance artists Michelangelo (Max Eade) and Leonardo Da Vinci (Aidan MacColl) became frenemies, this show introduces us to the pair as young pals who soon realise they have something in common: they’re both gay, but can’t live as their truest selves out of fear of punishment by the church. Figuring out their simplest route to divine forgiveness is to win over someone who has a direct line to the big man himself, the friends head to art scho...

Everybody’s Talking About Jamie – Wolverhampton Grand

24Jan

By Peter KinnockNo Comments

West Midlands

Everybody’s Talking About Jamie – Wolverhampton Grand

Everybody’s Talking About Finton! Rarely do you get the chance to witness an understudy triumph in a role, but tonight at the Grand was once such moment. Finton Flynn slipped into the title role with big heels to fill which he did with aplomb. A joyous, buoyant comic performance tempered with a well judged dash of poignancy made this performance in equal parts outstanding and endearing. He exploded with assured confidence and squeezed every drop out of line and every lyric. Certainly, a performer to look out for. Elsewhere Rebecca McGinnis more than held her own as Jamie’s long-suffering mother nailing a beautiful ballad in act two. She forms a great comic partnership with Shobna Gulati whose comic heritage is well-known. And Talia Palamathanan is a total delight as Priti and nails o...

Woolf Works – The Royal Ballet at Royal Opera House

27Jun

By Paul DownhamNo Comments

London

Woolf Works – The Royal Ballet at Royal Opera House

Wayne McGregor’s ballet triptych created in 2015 is inspired by the writings of Virginia Woolf and contains an original score by Max Richter – superbly performed by the Orchestra of the Royal Opera House conducted by Koen Kessels – with astounding lighting schemes from Lucy Carter and stunning set designs throughout. Woolf Works recreates the emotions, themes, and fluid style of three of Woolf’s novels beginning with ‘I Now, I Then’ inspired by Mrs Dalloway (1925); then ‘Becomings’ derived from Orlando (1928); concluding with ‘Tuesday’, which draws on The Waves (1931). The three pieces stand alone as distinctly as the works that inspire them although there is a chronology with underlying threads that seamlessly bring them together, most notably the central performance from 52-year old b...