Monday, August 24

Tag: Liz Kettle

After Party – Traverse Theatre
Scotland

After Party – Traverse Theatre

Imagine inviting the family round for your 80th birthday, pouring the drinks, cutting the cake and then announcing that you intend to be dead tomorrow. That is the grenade Vivienne Blackwood throws into the celebrations in Morna Young’s After Party. A celebrated former actress, Vivienne has terminal cancer and has decided that she will determine the manner and timing of her own death. She wants her fractured family around her when she does it. You could hardly ask for a more combustible theatrical premise. What is surprising is how rarely After Party allows it to explode. This Traverse Theatre production, in association with Paines Plough and the Belgrade Theatre and directed by Katie Posner, initially treats the gathering remarkably broadly. The first half freq...
MacBeth (An Undoing) – Lyceum Theatre Edinburgh
Scotland

MacBeth (An Undoing) – Lyceum Theatre Edinburgh

Macbeth is often one of the first Shakespeare stories that we think of, it's known for: its scottish setting, it's themes of betrayal and manipulation and of course for its gory and dramatic ending. The tale is often told in the same manner time and time again, the tale of a man being told by a group of witches that he will be king, a manipulative wife who convinces him to murder the current monarch and the insanity and guilt that rips the married couple apart until ultimately, she commits suicide, and he is slain by a former friend. Whilst the original story exists within Macbeth An Undoing, writer Zinnie Harris has turned the tale on its head, asking what would happen if it were Lady Macbeth who took control? What if she had not gone crazy and instead Macbeth himself was the one takin...
Macbeth (an undoing) – The Rose Theatre
London

Macbeth (an undoing) – The Rose Theatre

She didn’t know what she was headed for, and when she found out what she was headed for, it was too late. Macbeths come undone. Playwright and director Zinnie Harris’s new and old work, Macbeth (an undoing) sets out to prove that what is done can in fact be undone rather than merely redone. Shakespeare’s Macbeth is arguably overdone, especially at the moment. From Ralph Fiennes to David Tennant, powerful male actors can’t take their grubby hands off it. Audiences too never seem to tire of it. It’s an enduring story, full of sound and fury, and rife with juicy monologues for actors to sink their fangs into. The juiciness of the plot even translates well into foreign adaptations and lubricates applications to very specific historical metaphors. However much of its adaptive appeal rests on wh...
Dracula: Mina’s Reckoning – Liverpool Playhouse
North West

Dracula: Mina’s Reckoning – Liverpool Playhouse

This play lends itself perfectly to the spooky season. Aberdeen Performing Arts and the National Theatre of Scotland have created a uniquely adapted tale from the late 19th Century. Dreamlike Scottish folk music swaddles you into the world of the play, where the audience held their breaths about what might happen. Scottish culture is not in the mainstream theatrical circuit, so it was educational as well as entertaining for the audience. The way that this production was adapted by Morna Pearson from Bram Stoker’s American story, with detail, humour and a real sense of world building, meant the audience really bought the world of Aberdeen’s hospital for women and the characters in it. Lighting (Aideen Malone) and sound (Fraser Mackie) were parts of the production that I really enjoyed...